Tales of Mystery and Imagination

Guy de Maupassant: Sur l'eau

J'avais loué, l'été dernier, une petite maison de campagne au bord de la Seine, à plusieurs lieues de Paris, et j'allais y coucher tous les soirs. Je fis, au bout de quelques jours, la connaissance d'un de mes voisins, un homme de trente à quarante ans, qui était bien le type le plus curieux que j'eusse jamais vu. C'était un vieux canotier, mais un canotier enragé, toujours près de l'eau, toujours sur l'eau, toujours dans l'eau. Il devait être né dans un canot, et il mourra bien certainement dans le canotage final.

Un soir que nous nous promenions au bord de la Seine, je lui demandai de me raconter quelques anecdotes de sa vie nautique. Voilà immédiatement mon bonhomme qui s'anime, se transfigure, devient éloquent, presque poète. Il avait dans le coeur une grande passion, une passion dévorante, irrésistible : la rivière.

“ Ah ! me dit-il, combien j'ai de souvenirs sur cette rivière que vous voyez couler là près de nous ! Vous autres, habitants des rues, vous ne savez pas ce qu'est la rivière. Mais écoutez un pêcheur prononcer ce mot. Pour lui, c'est la chose mystérieuse, profonde, inconnue, le pays des mirages et des fantasmagories, où l'on voit, la nuit, des choses qui ne sont pas, où l'on entend des bruits que l'on ne connaît point, où l'on tremble sans savoir pourquoi, comme en traversant un cimetière: et c'est en effet le plus sinistre des cimetières, celui où l'on n'a point de tombeau.

“La terre est bornée pour le pêcheur et dans l'ombre, quand il n'y a pas de lune, la rivière est illimitée. Un marin n'éprouve point la même chose pour la mer. Elle est souvent dure et méchante, c'est vrai, mais elle crie, elle hurle, elle est loyale, la frande mer ; tandis que la rivière est silencieuse et perfide. E le ne gronde pas, elle coule toujours sans bruit et ce mouvement éternel de l'eau qui coule est plus effrayant pour moi que les hautes vagues de l'Océan. “ Des rêveurs prétendent que la mer cache dans son sein d'immenses pays bleuâtres, où les noyés roulent parmi les grands poissons, au milieu d'étranges forêts et dans des grottes de cristal. La rivière n'a que des profondeurs noires où l'on pourrit dans la vase. Elle est belle pourtant quand elle brille au soleil levant et qu'elle clapote doucement entre ses berges couvertes de roseaux qui murmurent.

Somewhere, to what remote and fearsome region I know not, Denys Barry has gone. I was with him the last night he lived among men, and heard his screams when the thing came to him; but all the peasants and police in County Meath could never find him, or the others, though they searched long and far. And now I shudder when I hear the frogs piping in swamps, or see the moon in lonely places.

I had known Denys Barry well in America, where he had grown rich, and had congratulated him when he bought back the old castle by the bog at sleepy Kilderry. It was from Kilderry that his father had come, and it was there that he wished to enjoy his wealth among ancestral scenes. Men of his blood had once ruled over Kilderry and built and dwelt in the castle, but those days were very remote, so that for generations the castle had been empty and decaying. After he went to Ireland, Barry wrote me often, and told me how under his care the gray castle was rising tower by tower to its ancient splendor, how the ivy was climbing slowly over the restored walls as it had climbed so many centuries ago, and how the peasants blessed him for bringing back the old days with his gold from over the sea. But in time there came troubles, and the peasants ceased to bless him, and fled away instead as from a doom. And then he sent a letter and asked me to visit him, for he was lonely in the castle with no one to speak to save the new servants and laborers he had brought from the North.

The bog was the cause of all these troubles, as Barry told me the night I came to the castle. I had reached Kilderry in the summer sunset, as the gold of the sky lighted the green of the hills and groves and the blue of the bog, where on a far islet a strange olden ruin glistened spectrally. That sunset was very beautiful, but the peasants at Ballylough had warned me against it and said that Kilderry had become accursed, so that I almost shuddered to see the high turrets of the castle gilded with fire. Barry’s motor had met me at the Ballylough station, for Kilderry is off the railway. The villagers had shunned the car and the driver from the North, but had whispered to me with pale faces when they saw I was going to Kilderry. And that night, after our reunion, Barry told me why.

El señor ministro dio un salto en el asiento del coche oficial en que viajaba y agitó la maño por la ventanilla. —¡Me ha visto, estoy seguro de que me ha visto! —dijo—. Fue mi mejor amigo cuando éramos niños. Le he reconocido al instante. Ver su cara me ha traído mil recuerdos olvidados, todo el aroma de una época de mi vida. ¡Dios mío, qué maravilla! Nunca le había vuelto a ver. Tengo su imagen metida en el corazón, sé que hemos sido íntimos amigos, realmente él ha sido mi único amigo en la vida...Pero qué curioso, no consigo recordar ni cuándo ni dónde le conocí. Ni siquiera me acuerdo de su nombre.Éstas fueron las últimas palabras del señor ministro.

Richard Garnett: Demon Pope

"So you won't sell me your soul?" said the devil.

"Thank you," replied the student, "I had rather keep it myself, if it's all the same to you."

"But it's not all the same to me. I want it very particularly. Come, I'll be liberal. I said twenty years. You can have thirty."

The student shook his head.

"Forty!"

Another shake.

"Fifty!"

As before.

"Now," said the devil, "I know I'm going to do a foolish thing, but I cannot bear to see a clever, spirited young man throw himself away. I'll make you another kind of offer. We won't have any bargain at present, but I will push you on in the world for the next forty years. This day forty years I come back and ask you for a boon; not your soul, mind, or anything not perfectly in your power to grant. If you give it, we are quits; if not, I fly away with you. What say you to this?"

The student reflected for some minutes. "Agreed," he said at last.

Scarcely had the devil disappeared, which he did instantaneously, ere a messenger reined in his smoking steed at the gate of the University of Cordova (the judicious reader will already have remarked that Lucifer could never have been allowed inside a Christian seat of learning), and, inquiring for the student Gerbert, presented him with the Emperor Otho's nomination to the Abbacy of Bobbio, in consideration, said the document, of his virtue and learning, well-nigh miraculous in one so young. Such messengers were frequent visitors during Gerbert's prosperous career. Abbot, bishop, archbishop, cardinal, he was ultimately enthroned Pope on April 2, 999, and assumed the appellation of Silvester the Second. It was then a general belief that the world would come to an end in the following year, a catastrophe which to many seemed the more imminent from the election of a chief pastor whose celebrity as a theologian, though not inconsiderable, by no means equalled his reputation as a necromancer.

I WILL now play the Oedipus to the Rattleborough enigma. I will expound to you-as I alone can-the secret of the enginery that effected the Rattleborough miracle-the one, the true, the admitted, the undisputed, the indisputable miracle, which put a definite end to infidelity among the Rattleburghers and converted to the orthodoxy of the grandames all the carnal-minded who had ventured to be sceptical before.

This event-which I should be sorry to discuss in a tone of unsuitable levity-occurred in the summer of 18-. Mr. Barnabas Shuttleworthy-one of the wealthiest and most respectable citizens of the borough-had been missing for several days under circumstances which gave rise to suspicion of foul play. Mr. Shuttleworthy had set out from Rattleborough very early one Saturday morning, on horseback, with the avowed intention of proceeding to the city of-, about fifteen miles distant, and of returning the night of the same day. Two hours after his departure, however, his horse returned without him, and without the saddle-bags which had been strapped on his back at starting. The animal was wounded, too, and covered with mud. These circumstances naturally gave rise to much alarm among the friends of the missing man; and when it was found, on Sunday morning, that he had not yet made his appearance, the whole borough arose en masse to go and look for his body.

The foremost and most energetic in instituting this search was the bosom friend of Mr. Shuttleworthy-a Mr. Charles Goodfellow, or, as he was universally called, "Charley Goodfellow," or "Old Charley Goodfellow." Now, whether it is a marvellous coincidence, or whether it is that the name itself has an imperceptible effect upon the character, I have never yet been able to ascertain; but the fact is unquestionable, that there never yet was any person named Charles who was not an open, manly, honest, good-natured, and frank-hearted fellow, with a rich, clear voice, that did you good to hear it, and an eye that looked you always straight in the face, as much as to say: "I have a clear conscience myself, am afraid of no man, and am altogether above doing a mean action." And thus all the hearty, careless, "walking gentlemen" of the stage are very certain to be called Charles.

Eran las ocho y media de la tarde, y el detective Lorenzo Fresnos estaba esperando una visita. Su secretaria acababa de marcharse; afuera había empezado a llover y Fresnos se aburría. Había dormido muy poco esa noche, y tenía la cabeza demasiado espesa para hacer nada de provecho durante la espera. Echó un vistazo a la biblioteca, legada por el anterior ocupante del despacho, y eligió un libro al azar. Se sentó en su sillón y empezó a leer, bostezando.

Le despertó un ruido seco: el libro había caído al suelo. Abrió los ojos con sobresalto y vio, sentada al otro lado de su escritorio, a una mujer de unos cuarenta años, de nariz afilada y mirada inquieta, con el pelo rojizo recogido en un moño. Al ver que se había despertado, ella le sonrió afablemente. Sus ojos, sin embargo, le escrutaban con ahínco.

Lorenzo Fresnos se sintió molesto. Le irritaba que la mujer hubiese entrado sin llamar, o que él no la hubiese oído, y que le hubiera estado espiando mientras dormía. Hubiera querido decir: «Encantado de conocerla, señora...» (era una primera visita) pero había olvidado el nombre que su secretaria le había apuntado en la agenda. Y ella ya había empezado a hablar.

—Cuánto me alegro de conocerle —estaba diciendo—. No sabe con qué impaciencia esperaba esta entrevista. ¿No me regateará el tiempo, verdad?

— Por supuesto, señora —replicó Fresnos, más bien seco. Algo, quizá la ansiedad que latía en su voz, o su tono demasiado íntimo, le había puesto en guardia—. Usted dirá.

Bobby didn't know her at first. She was wounded, like him. The first thirty to arrive all got wounds. Tom Savini put them on himself.

Her face was a silvery blue, her eyes sunken into darkened hollows, and where her right ear had been was a ragged-edged hole, a gaping place that revealed a lump of wet red bone. They sat a yard apart on the stone wall around the fountain, which was switched off. She had her pages balanced on one knee—three pages in all, stapled together—and was looking them over, frowning with concentration. Bobby had read his while he was waiting in line to go into makeup.

Her jeans reminded him of Harriet Rutherford. There were patches all over them, patches that looked as if they had been made out of kerchiefs; squares of red and dark blue, with paisley patterns printed on them. Harriet was always wearing jeans like that. Patches sewn into the butt of a girl's Levi's still turned Bobby on.

His gaze followed the bend of her legs down to where her blue jeans flared at the ankle, then on to her bare feet. She had kicked her sandals off, and was twisting the toes of one foot into the toes of the other. When he saw this he felt his heart lunge with a kind of painful-sweet shock.

«Harriet?» he said. «Is that little Harriet Rutherford who I used to write love poems to?»

She peered at him sideways, over her shoulder. She didn't need to answer, he knew it was her. She stared for a long, measuring time, and then her eyes opened a little wider. They were a vivid, very undead green, and for an instant he saw them brighten with recognition and unmistakable excitement. But she turned her head away, went back to perusing her pages.

«No one ever wrote me love poems in high school,» she said. «I'd remember. I would've died of happiness.»

«In detention. Remember we got two weeks after the cooking show skit? You had a cucumber carved like a dick. You said it needed to stew for an hour and stuck it in your pants. It was the finest moment in the history of the Die Laughing Comedy Collective.»

Nadia, es cierto que no te llamas Nadia, pero qué importa eso ahora, en medio de esta noche interminable. Déjame recordar otra vez nuestro viaje, escúchame mientras mi dedo recorre despacio las líneas suavemente irreales del atlas, podemos salir de Bucarest con destino Brasov y luego, allí, hacer el transbordo a Sighiosara, el tren se bambolea ligeramente al rozar con las letras de los Cárpatos mansamente apaisadas en el mapa; no te inquietes, Nadia, ya sé que tienes miedo a los trenes, que no te gusta que te llame Nadia. En cambio, ahora que lo pienso, Nadia es un nombre que te sienta muy bien porque es como el femenino de nadie, y en cierto modo tú no eres aún más que un poco de nada y miedo y niebla, no existes más que en virtud de este ensalmo compuesto de nombres de ciudades y estaciones: no existes tú ni tus alumnos ni el resto de tu inundo diurno, sino sólo palabras, lentas palabras que deletreo a medida que mi mano las acaricia sobre el atlas. Transilvania, por ejemplo, fíjate que palabra tan bella, Nadia, parece hecha

a medida para ti, que temes a los trenes, puesto que suena a tren, es una lenta locomotora de vocales por donde cruzan viajeros misteriosos y brisas nocturnas, pero también otras cosas porque también hay en ella tránsitos, selvas, silbidos y vesania. O Valaquia, como una reina hermosa y cruel, con la uve mayúscula que recuerda vagamente el colmillo del vampiro y esa suave aspiración de la última sílaba que tiembla entre los labios entornados con el estertor de una vena marchita. «Las leyendas dicen que los vampiros nacieron en Valaquia, pero sabemos que son mucho más antiguos», es una frase con la que inicias a menudo tus clases, ese universo rutinario hecho de escepticismo, conferencias, tópicos, ese lugar donde intentas demostrar a tus jóvenes alumnos de antropología que los vampiros no existen ni existieron nunca, que son una urna vacía, un mito, una metáfora o, en el mejor de los casos, un buen pretexto para escritores sin imaginación. Entonces hay un mundo donde tú y el tiempo y el espacio son algo más que palabras, donde sonríes y hablas monótonamente a un auditorio aburrido, donde respondes a otros nombres y a veces te acuestas con algún amante casual, tal vez uno de tus alumnos, y mientras te acaricia no se te va de la cabeza la idea de que, a pesar de tu belleza, lo hace para subir nota, los alumnos son así hoy día, y suspiras añorando otras épocas que no conociste, y después del amor empiezas a dormir lentamente, un sueño sin orillas donde, detrás de los párpados cerrados, un gemido, un tumbo del cuerpo que descansa al otro lado de la cama puede engendrar al monstruo, dar inicio al viaje: el chirrido de las vías muertas, el lento despegue del tren, la estación que va quedando atrás, la palabra Transilvania.

Cuando oía hablar del placer o pronunciaba yo mismo esta palabra, siempre había creído saber de qué se trataba, de manera que, aunque me precio de ser una persona analítica que no se conforma con ideas prestadas, nunca me detenía a darle vueltas a un concepto que tan obvio parecía. Dicho de otro modo, yo era de los que saben qué es el placer por experiencia propia, como suele decirse. Y no porque hubiese disfrutado mucho de mi mujer, cuya capacidad de abstinencia la convertía en un claro caso de vocación fallida —y no sólo en este sentido; su talento organizador y su sentido estricto de la disciplina me parecían dignos de una madre superiora de la vieja escuela — , sino porque sí lo había hecho de mis mujeres, al menos hasta que de repente las dejé prácticamente abandonadas. A lo sumo, cuando mi carácter reflexivo me llevaba a pensar en ellas, a veces se manifestaba cierta perplejidad, cierta vacilación debida no tanto a la duda sobre el signo inequívocamente placentero de las horas que pasaba con ellas como al recuerdo de la sensación de hastío que acostumbraba a aparecer como indeseable pero al mismo tiempo inseparable compañero del placer o, por decirlo con una imagen profesional, como un socio inevitable de una empresa que bien podría calificarse de perversa en la medida

en que el capital —no escaso— que en ella se invierte no solamente no persigue la obtención de beneficios sino que trata de garantizar las pérdidas. Y justamente ahí donde yo creía hilar fino, cuando, en un esfuerzo de sinceridad, esa ausencia de pureza en el goce me impulsaba a temerme que quizá mis placeres, por contaminados de displacer, no fueran tales, es donde más me equivocaba, pues no hay placer sin dolor ni excitación digna de ese nombre que no vaya acompañada de unos sentimientos negativos tan intensos como ella. Mi equivocación consistía en concebir cada emoción como un ente puro, en esperar que algún día se presentase el placer limpio de polvo y paja —términos cuyas connotaciones no se me escapan y que más bien quiero subrayar porque demuestran la medida del error—, y, así, no llegué de hecho a conocerlo hasta que fui capaz de comprender que sólo se obtiene —resplandeciente como el sol y vil como la basura más hedionda— el día en que el impulso irresistible de disfrutarlo coexiste con el pavor más absoluto a su obtención, el instante en que te sientes aterrado por lo mismo que te arrastra y, pese a ello, te dejas llevar.

Maximilian searched for them in the carriage house and the cattle shed, even had a look in the springhouse, although he knew almost at first glance he wouldn't find them there. Rudy wouldn't hide in a place like that, dank and chill, no windows and so no light, a place that smelled of bats. It was too much like a basement. Rudy never went in their basement back home if he could help it, was afraid the door would shut behind him, and he'd find himself trapped in the suffocating dark.

Max checked the barn last, but they weren't hiding there either, and when he came into the dooryard, he saw with a shock dusk had come. He had never imagined it could be so late.

"No more this game," he shouted. "Rudolf! We have to go." Only when he said

have it came out hoff, a noise like a horse sneezing. He hated the sound of his own voice, envied his younger brother's confident American pronunciations. Rudolf had been born here, had never seen Amsterdam. Max had lived the first five years of his life there, in a dimly lit apartment that smelled of mildewed velvet curtains, and the latrine stink of the canal below.

Max hollered until his throat was raw, but in the end, all his shouting brought only Mrs. Kutchner, who shuffled slowly across the porch, hugging herself for warmth, although it was not cold. When she reached the railing she took it in both hands and sagged forward, using it to hold herself up.

This time last fall, Mrs. Kutchner had been agreeably plump, dimples in her fleshy cheeks, her face always flushed from the heat of the kitchen. Now her face was starved, the skin pulled tight across the skull beneath, her eyes feverish and bird-bright in their bony hollows. Her daughter, Arlene-who at this very moment was hiding with Rudy somewhere-had whispered that her mother kept a tin bucket next to the bed, and when her father carried it to the outhouse in the morning to empty it, it sloshed with a quarter inch of bad-smelling blood.

Pedro Montero (bajo el sobrenombre P. Martín de Cáceres): El bebé sin nombre

Hoy en día no resulta difícil para una estudiante obtener unos ingresos extra dedicándose a cuidar niños algunas noches por semana. Hay matrimonios jóvenes que no renuncian a salir al cine o al teatro y necesitan de vez en cuando de los servicios de lo que en argot se denominan «canguras». Generalmente el trabajo no tiene complicaciones, salvo cuando se trata de niños difíciles, y si eso ocurre basta con tachar de la lista la casa en cuestión. Pero, cuidado, porque también podéis encontraros con casos especiales que en un principio parecen no ofrecer dificultad: un angelote rubio que duerme como un tronco en su cunita justamente hasta que sus padres abandonan el piso, y entonces, sólo entonces, se despierta y se le ocurre pedir pipí, agua, un caramelo y caprichos que en otras circunstancias no se le hubieran antojado. Si alguna se topa con un asunto de estos es seguro que ya no se podrá seguir en paz la película de la televisión, o mantener una mínima continuidad en la sesión de achuchones con el amigo de turno, que generalmente llega una vez que el matrimonio ha abandonado el piso.

Saber qué casa es recomendable o cuál debe ser cuidadosamente evitada es algo que acaba intuyéndose a base de experiencia. Pero ni las más avezadas «canguras» pueden asegurar que no va a surgir un imprevisto que les amargue la noche. Se cuentan casos como el del matrimonio que desapareció sin dejar rastro, abandonando a su hijo en manos de su cuidadora (y, lo que es peor, sin haber abonado sus servicios), o el de la que tuvo que habérselas con un subnormal de quince años que pretendía ejecutar con su colaboración actos que, por otra parte y a todas luces, deberían ser considerados normales.

Sea como fuere, y descartando cualquier ánimo moralizador, sirva el relato de esta verídica historia para advertencia de las intrépidas «canguras» que se comprometen, quizá demasiado alegremente, en una tarea que, lejos de resultar cómoda, puede convertirse a veces en algo sumamente inquietante.

The ruined factory stood three stories high in an otherwise featureless landscape. Although somewhat imposing on its own terms, it occupied only the most unobtrusive place within the gray emptiness of its surroundings, its presence serving as a mere accent upon a desolate horizon. No road led to the factory, nor were there any traces of one that might have led to it at some time in the distant past. If there had ever been such a road it would have been rendered useless as soon as it arrived at one of the four, red-bricked sides of the factory, even in the days when the facility was in full operation. The reason for this was simple: no doors had been built into the factory, no loading docks or entranceways allowed penetration of the outer walls of the structure, which was solid brick on all four sides without even a single window below the level of the second floor. The phenomenon of a large factory so closed off from the outside world was a point of extreme fascination to me. It was almost with regret that I ultimately learned about the factory’s subterranean access. But of course that revelation in its turn also became a source for my truly degenerate sense of amazement, my decayed fascination.

The factory had long been in ruins, its innumerable bricks worn and crumbling, its many windows shattered. Each of the three enormous stories that stood above the ground level was vacant of all but dust and silence. The machinery, which densely occupied the three floors of the factory as well as considerable space beneath it, is said to have evaporated — I repeat, evaporated—soon after the factory ceased operation, leaving behind only a few spectral outlines of deep vats and tanks, twisting tubes and funnels, harshly grinding gears and levers, giant belts and wheels that could be most clearly seen at twilight — and later, not at all. According to these strictly hallucinatory accounts, the whole of the Red Tower, as the factory was known, had always been subject to fadings at certain times. This phenomenon, in the delirious or dying words of several witnesses, was due to a profound hostility between the noisy and malodorous operations of the factory and the desolate purity of the landscape surrounding it, the conflict occasionally resulting in temporary erasures, or fadings, of the former by the latter.

At the time Jane got married, one would have thought there was nothing unusual about her. She was plump, pretty and practical: she could give artificial respiration at the drop of a hat or pull someone out of a faint or a nosebleed. She was a dentist’s assistant, and as cool as they come in the face of crisis or pain. But she had enthusiasm for the arts. What arts? All of them. She began, in the first year of her married life, with painting. This occupied all her Saturdays, or enough of Saturdays to prevent adequate shopping for the weekend, but her husband Bob did the shopping. He also paid for the framing of muddy, run—together odd portraits of their friends, and the sittings of the friends took up time on the weekends too. Jane at last faced the fact she could not stop her colours from running together, and decided to abandon painting for the dance.

The dance, in a black leotard, did not much improve her robust figure, only her appetite. Special shoes followed. She was studying ballet,. She had discovered an institution called The School of Arts. In this five—storey edifice they taught the piano, violin and other instruments, music composition, novel—writing, poetry, sculpture, the dance and painting.

‘You see, Bob, life can and should be made more beautiful,’ Jane said with her big smile. ‘And everyone wants to contribute, if he or she can, just a little bit to the beauty and poetry of the world.’

Bob happened to be there, because he was to have fetched Jane at 5 p.m. He had heard about the bomb rumour, but did not know whether to believe it or not. With some caution, however, or a premonition, he was waiting across the street instead of in the lobby.

Towards the middle of the eighteenth century there lived in the Province of Massachusetts a widowed gentlewoman, the mother of three children, by name Mrs Veronica Wingrave. She had lost her husband early in life, and had devoted herself to the care of her progeny. These young persons grew up in a manner to reward her tenderness and to gratify her highest hopes. The first-born was a son, whom she had called Bernard, in remembrance of his father. The others were daughters – born at an interval of three years apart. Good looks were traditional in the family, and this youthful trio were not likely to allow the tradition to perish. The boy was of that fair and ruddy complexion and that athletic structure which in those days (as in these) were the sign of good English descent – a frank, affectionate young fellow, a deferential son, a patronising brother, a steadfast friend. Clever, however, he was not; the wit of the family had been apportioned chiefly to his sisters. The late Mr William Wingrave had been a great reader of Shakespeare, at a time when this pursuit implied more freedom of thought than at the present day, and in a community where it required much courage to patronise the drama even in the closet; and he had wished to call attention to his admiration of the great poet by calling his daughters out of his favourite plays. Upon the elder he had bestowed the romantic name of Rosalind, and the younger he had called Perdita, in memory of a little girl born between them, who had lived but a few weeks.

When Bernard Wingrave came to his sixteenth year his mother put a brave face upon it and prepared to execute her husband’s last injunction. This had been a formal command that, at the proper age, his son should be sent out to England, to complete his education at the university of Oxford, where he himself had acquired his taste for elegant literature. It was Mrs Wingrave’s belief that the lad’s equal was not to be found in the two hemispheres, but she had the old traditions of literal obedience. She swallowed her sobs, and made up her boy’s trunk and his simple provincial outfit, and sent him on his way across the seas. Bernard presented himself at his father’s college, and spent five years in England, without great honour, indeed, but with a vast deal of pleasure and no discredit. On leaving the university he made the journey to France. In his twenty-fourth year he took ship for home, prepared to find poor little New England (New England was very small in those days) a very dull, unfashionable residence. But there had been changes at home, as well as in Mr Bernard’s opinions. He found his mother’s house quite habitable, and his sisters grown into two very charming young ladies, with all the accomplishments and graces of the young women of Britain, and a certain native-grown originality and wildness, which, if it was not an accomplishment, was certainly a grace the more. Bernard privately assured his mother that his sisters were fully a match for the most genteel young women in the old country; whereupon poor Mrs Wingrave, you may be sure, bade them hold up their heads. Such was Bernard’s opinion, and such, in a tenfold higher degree, was the opinion of Mr Arthur Lloyd. This gentleman was a college-mate of Mr Bernard, a young man of reputable family, of a good person and a handsome inheritance; which latter appurtenance he proposed to invest in trade in the flourishing colony. He and Bernard were sworn friends; they had crossed the ocean together, and the young American had lost no time in presenting him at his mother’s house, where he had made quite as good an impression as that which he had received and of which I have just given a hint.