Sax Rohmer: The Mysterious Mummy

It was about five o'clock on a hot August afternoon, that a tall, thin man, wearing a weedy beard, and made conspicuous by an ill-fitting frock-coat and an almost napless silk hat, walked into the entrance hall of the Great Portland Square Museum. He carried no stick, and, looking about him, as though unfamiliar with the building, he ultimately mounted the principal staircase, walking with a pronounced stoop, and at intervals coughing with a hollow sound.

His gaunt figure attracted the attention of several people, among them the attendant in the Egyptian room. Hardened though he was to the eccentric in humanity, the man who hung so eagerly over the mummies of departed kings and coughed so frequently, nevertheless secured his instant attention. Visitors of the regulation type were rapidly thinning out, so that the gaunt man, during the whole of the time he remained in the room, was kept under close surveillance by the vigilant official. Seeing him go in the direction of the stairs, the attendant supposed the strange visitor to be about to leave the Museum. But that he did not immediately do so was shown by subsequent testimony.

The day's business being concluded, the staff of police who patrol nightly the Great Square Museum duly filed into the building. A man is placed in each room, it being his duty to examine thoroughly every nook and cranny; having done which, all doors of communication are closed, the officer on guard in one room being unable to leave his post or to enter another. Every hour the inspector, a sergeant, and a fireman make a round of the entire building: from which it will be seen that a person having designs on any of the numerous treasures of the place would require more than average ingenuity to bring his plans to a successful issue.

In recording this very singular case, the only incident of the night to demand attention is that of the mummy in the Etruscan room.

Persons familiar with the Great Portland Square Museum will know that certain of the tombs in the Etruscan room are used as receptacles for Egyptian mummies that have, for various reasons, never been put upon exhibition. Anyone who has peered under the partially raised lid of a huge sarcophagus and found within the rigid form of a mummy, will appreciate the feelings of the man on night duty amid surroundings so lugubrious. The electric light, it should be mentioned, is not extinguished until the various apartments have been examined, and its extinction immediately precedes the locking of the door.

The constable in the Etruscan room glanced into the various sarcophagi and cast the rays of his bull's-eye lantern into the shadows of the great stone tombs. Satisfied that no one lurked there, he mounted the steps leading up to the Roman gallery, turning out the lights in the room below from the switch at the top. The light was still burning on the ground floor, and the sergeant had not yet arrived with the keys. It was whilst the man stood awaiting his coming that a singular thing occurred.

From somewhere within the darkened chamber beneath, there came the sound of a hollow cough!

Sax Rohmer: Lord of the Jackals

IN those days, of course (said the French agent, looking out across the sea of Yûssuf Effendis which billowed up against the balcony to where, in the moonlight, the minarets of Cairo pointed the way to God), I did not occupy the position which I occupy to-day. No, I was younger, and more ambitious; I thought to carve in the annals of Egypt a name for myself such as that of De Lesseps.

I had a scheme—and there were those who believed in it—for extending the borders of Egypt. Ah! my friends, Egypt after all is but a double belt of mud following the Nile, and terminated east and west by the desert. The desert! It was the dream of my life to exterminate that desert, that hungry gray desert; it was my plan—a foolish plan as I know now—to link the fertile Fáyûm to the Oases! How was this to be done? Ah!

Why should I dig up those buried skeletons? It was not done; it never could be done; therefore, let me not bore you with how I had proposed to do it. Suffice it that my ambitions took me far off the beaten tracks, far, even, from the caravan roads—far into the gray heart of the desert.

But I was ambitious, and only nineteen—or scarcely twenty. At nineteen, a man who comes from St. Rémy fears no obstacle which Fate can place in his way, and looks upon the world as a grape-fruit to be sweetened with endeavor and sucked empty.

It was in those days, then, that I learned as your Rudyard Kipling has also learned that “East is East”; it was in those days that I came face to face with that “mystery of Egypt” about which so much is written, has always been written, and always will be written, but concerning which so few people, so very few people, know anything whatever.

Yes, I, René de Flassans, saw with my own eyes a thing that I knew to be magic, a thing whereat my reason rebelled—a thing which my poor European intelligence could not grapple, could not begin to explain.

It was this which you asked me to tell you, was it not? I will do so with pleasure, because I know that I speak to men of honor, and because it is good for me, now that I cannot count the gray hairs in my beard, to confess how poor a thing I was when I could count every hair upon my chin—and how grand a thing I thought myself.

One evening, at the end of a dreadful day in the saddle—beneath a sky which seemed to reflect all the fires of hell, a day passed upon sands simply smoking in that merciless sun—I and my native companions came to an encampment of Arabs.

They were Bedouins—the tribe does not matter at the moment—and, as you may know, the Bedouin is the most hospitable creature whom God has yet created. The tent of the Sheikh is open to any traveller who cares to rest his weary limbs therein. Freely he may partake of all that the tribe has to offer, food and drink and entertainment; and to seek to press payment upon the host would be to insult a gentleman.