Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

Las imágenes han sido obtenidas de la red y son de dominio público. No obstante, si alguien tiene derecho reservado sobre alguna de ellas y se siente perjudicado por su publicación, por favor, no dude en comunicárnoslo.

Showing posts with label Greg Egan. Show all posts
Showing posts with label Greg Egan. Show all posts

Greg Egan: Cocoon

Greg Egan, Cocoon,Relatos de misterio, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Salomé Guadalupe Ingelmo


The explosion shattered windows hundreds of meters away, but started no fire. Later, I discovered that it had shown up on a seismograph at Macquarie University, fixing the time precisely: 3:52 a.m. Residents woken by the blast phoned emergency services within minutes, and our night shift oper-ator called me just after four, but there was no point rushing to the scene when I'd only be in the way. I sat at the terminal in my study for almost an hour, assembling background data and monitoring the radio traffic on headphones, drinking cof-fee and trying not to type too loudly.
By the time I arrived, the local fire service contractors had departed, having certified that there was no risk of further explosions, but our forensic people were still poring over the wreckage, the electric hum of their equipment all but drowned out by birdsong. Lane Cove was a quiet, leafy suburb, mixed residential and high-tech industrial, the lush vegetation of cor-porate open spaces blending almost seamlessly into the ad-jacent national park that straddled the Lane Cove River. The map of the area on my car terminal had identified suppliers of laboratory reagents and Pharmaceuticals, manufacturers of precision instruments for scientific and aerospace applications, and no less than twenty-seven biotechnology firms—includ-ing Life Enhancement International, the erstwhile sprawling concrete building now reduced to a collection of white pow-dery blocks clustered around twisted reinforcement rods. The exposed steel glinted in the early light, disconcertingly pris-tine; the building was only three years old. I could understand why the forensic team had ruled out an accident at their first glance; a few drums of organic solvent could not have done anything remotely like this. Nothing legally stored in a resi-dential zone could reduce a modern building to rubble in a matter of seconds.
I spotted Janet Lansing as I left my car. She was surveying the ruins with an expression of stoicism, but she was hugging herself. Mild shock, probably. She had no other reason to be chilly; it had been stinking hot all night, and the temperature was already climbing. Lansing was Director of the Lane Cove complex: forty-three years old, with a Ph.D. in molecular bi-ology from Cambridge, and an M.B.A. from an equally rep-utable Japanese virtual university. I'd had my knowledge miner extract her details, and photo, from assorted databases before I'd left home.
I approached her and said, "James Glass, Nexus Investi-gations." She frowned at my business card, but
accepted it, then glanced at the technicians trawling their gas chromato-graphs and holography equipment
around the perimeter of the ruins.
"They're yours, I suppose?"

Greg Egan: Closer


Nobody wants to spend eternity alone.

("Intimacy," I once told Sian, after we'd made love, "is the only cure for solipsism." She laughed and said, "Don't get too ambitious, Michael. So far, it hasn't even cured me of masturbation.")

True solipsism, though, was never my problem. From the very first time I considered the question, I accepted that there could be no way of proving the reality of an external world, let alone the existence of other minds - but I also accepted that taking both on faith was the only practical way of dealing with everyday life.

The question which obsessed me was this: Assuming that other people existed, how did they apprehend that existence? How did they experience being? Could I ever truly understand what consciousness was like for another person - any more than I could for an ape, or a cat, or an insect?

If not, I was alone.

I desperately wanted to believe that other people were somehow knowable, but it wasn't something I could bring myself to take for granted. I knew there could be no absolute proof, but I wanted to be persuaded, I needed to be compelled.

No literature, no poetry, no drama, however personally resonant I found it, could ever quite convince me that I'd glimpsed the author's soul. Language had evolved to facilitate cooperation in the conquest of the physical world, not to describe subjective reality. Love, anger, jealousy, resentment, grief - all were defined, ultimately, in terms of external circumstances and observable actions. When an image or metaphor rang true for me, it proved only that I shared with the author a set of definitions, a culturally sanctioned list of word associations. After all, many publishers used computer programs - highly specialised, but unsophisticated algorithms, without the remotest possibility of self-awareness - to routinely produce both literature, and literary criticism, indistinguishable from the human product. Not just formularised garbage, either; on several occasions, I'd been deeply affected by works which I'd later discovered had been cranked out by unthinking software. This didn't prove that human literature communicated nothing of the author's inner life, but it certainly made clear how much room there was for doubt.

Unlike many of my friends, I had no qualms whatsoever when, at the age of eighteen, the time came for me to "switch." My organic brain was removed and discarded, and control of my body handed over to my "jewel" - the Ndoli Device, a neural-net computer implanted shortly after birth, which had since learnt to imitate my brain, down to the level of individual neurons. I had no qualms, not because I was at all convinced that the jewel and the brain experienced consciousness identically, but because, from an early age, I'd identified myself solely with the jewel. My brain was a kind of bootstrap device, nothing more, and to mourn its loss would have been as absurd as mourning my emergence from some primitive stage of embryological neural development. Switching was simply what humans did now, an established part of the life cycle, even if it was mediated by our culture, and not by our genes.

Tales of Mystery and Imagination