Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

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Showing posts with label Hugh Walpole. Show all posts
Showing posts with label Hugh Walpole. Show all posts

Hugh Walpole: The Silver Mask

Hugh Walpole, The Silver Mask, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Italo Calvino, Leggenda di Carlomagno, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Science Fiction Short Stories, Historias de ciencia ficcion, Salomé Guadalupe Ingelmo


Miss Sonia Herries, coming home from a dinner-party at the Westons', heard a voice at her elbow.

'If you please--only a moment--'

She had walked from the Westons' flat because it was only three streets away, and now she was only a few steps from her door, but it was late, there was no one about and the King's Road rattle was muffled and dim.

'I am afraid I can't--' she began. It was cold and the wind nipped her cheeks.

'If you would only--' he went on.

She turned and saw one of the handsomest young men possible. He was the handsome young man of all romantic stories, tall, dark, pale, slim, distinguished--oh! everything!--and he was wearing a shabby blue suit and shivering with the cold just as he should have been.

'I'm afraid I can't--' she repeated, beginning to move on.

'Oh, I know,' he interrupted quickly. 'Everyone says the same and quite naturally. I should if our positions were reversed. But I MUST go on with it. I CAN'T go back to my wife and baby with simply nothing. We have no fire, no food, nothing except the ceiling we are under. It is my fault, all of it. I don't want your pity, but I HAVE to attack your comfort.'

He trembled. He shivered as though he were going to fall. Involuntarily she put out her hand to steady him. She touched his arm and felt it quiver under the thin sleeve.

'It's all right . . .' he murmured. 'I'm hungry . . . I can't help it.'

She had had an excellent dinner. She had drunk perhaps just enough to lead to recklessness--in any case, before she realised it, she was ushering him in, through her dark-blue painted door. A crazy thing to do! Nor was it as though she were too young to know any better, for she was fifty if she was a day and, although sturdy of body and as strong as a horse (except for a little unsteadiness of the heart), intelligent enough to be thin, neurotic and abnormal; but she was none of these.

Although intelligent she suffered dreadfully from impulsive kindness. All her life she had done so. The mistakes that she had made--and there had been quite a few--had all arisen from the triumph of her heart over her brain. She knew it--how well she knew it!--and all her friends were for ever dinning it into her.
When she reached her fiftieth birthday she said to herself--'Well, now at last I'm too old to be foolish any more.' And here she was, helping an entirely unknown young man into her house at dead of night, and he in all probability the worst sort of criminal.

Hugh Walpole: Mrs. Lunt

Hugh Walpole


I

'Do you believe in ghosts?' I asked Runciman. I had to ask him this very platitudinous question more because he was so difficult a man to spend an hour with than for any other reason. You know his books, perhaps, or more probably you don't know them--The Running Man, The Elm Tree, and Crystal and Candlelight. He is one of those little men who are constant enough in this age of immense over-production of books, men who publish every autumn their novel, who arouse by that publication in certain critics eager appreciation and praise, who have a small and faithful public, whose circulation is very small indeed, who when you meet them have little to say, are often shy and nervous, pessimistic and remote from daily life. Such men do fine work, are made but little of in their own day, and perhaps fifty years after their death are rediscovered by some digging critic and become a sort of cult with a new generation.

I asked Runciman that question because, for some unknown reason, I had invited him to dinner at my flat, and was now faced with a long evening filled with that most tiresome of all conversations, talk that dies every two minutes and has to be revived with terrific exertions. Being myself a critic, and having on many occasions praised Runciman's work, he was the more nervous and shy with me; had I abused it, he would perhaps have had plenty to say--he was that kind of man. But my question was a lucky one: it roused him instantly, his long, bony body became full of a new energy, his eyes stared into a rich and exciting reminiscence, he spoke without pause, and I took care not to interrupt him. He certainly told me one of the most astounding stories I have ever heard. Whether it was true or not I cannot, of course, say: these ghost stories are nearly always at second or third hand. I had, at any rate, the good fortune to secure mine from the source. Moreover, Runciman was not a liar: he was too serious for that. He himself admitted that he was not sure, at this distance of time, as to whether the thing had gained as the years passed. However, here it is as he told it.

Tales of Mystery and Imagination