Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

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Showing posts with label Philip K. Dick. Show all posts
Showing posts with label Philip K. Dick. Show all posts

Philip K. Dick: Roog

Philip K. Dick, Relatos de misterio, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Salomé Guadalupe Ingelmo


“Roog!” the dog said. He rested his paws on the top of the fence and looked around him.

The Roog came running into the yard.

It was early morning, and the sun had not really come up yet. The air was cold and gray, and the walls of the house were damp with moisture. The dog opened his jaws a little as he watched, his big black paws clutching the wood of the fence.

The Roog stood by the open gate, looking into the yard. He was a small Roog, thin and white, on wobbly legs. The Roog blinked at the dog, and the dog showed his teeth.

“Roog!” he said again. The sound echoed into the silent half-darkness. Nothing moved nor stirred. The dog dropped down and walked back across the yard to the porch steps. He sat down on the bottom step and watched the Roog. The Roog glanced at him. Then he stretched his neck up to the window of the house, just above him. He sniffed at the window.

The dog came flashing across the yard. He hit the fence, and the gate shuddered and groaned. The Roog was walking quickly up the path, hurrying with funny little steps, mincing along. The dog lay down against the slats of the gate, breathing heavily, his red tongue hanging. He watched the Roog disappear.

The dog lay silently, his eyes bright and black. The day was beginning to come. The sky turned a little whiter, and from all around the sounds of people getting up echoed through the morning air. Lights popped on behind shades. In the chilly dawn a window was opened.

The dog did not move. He watched the path.

In the kitchen Mrs. Cardossi poured water into the coffeepot. Steam rose from the water, blinding her. She set the pot down on the edge of the stove and went into the pantry. When she came back Alf was standing at the door of the kitchen. He put his glasses on.

“You bring in the paper?” he said.

“It’s outside.”

Philip K. Dick: A Little Something for Us Tempunauts

Philip K. Dick, A Little Something for Us Tempunauts, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Science Fiction Short Stories, Historias de ciencia ficcion, Salomé Guadalupe Ingelmo

Wearily, Addison Doug plodded up the long path of synthetic redwood rounds, step by step, his head down a little, moving as if he were in actual physical pain. The girl watched him, wanting to help him, hurt within her to see how worn and unhappy he was, but at the same time she rejoiced that he was there at all. On and on, toward her, without glancing up, going by feel … like he's done this many times, she thought suddenly. Knows the way too well. Why?
“Addi,” she called, and ran toward him. “They said on the TV you were dead. All of you were killed!”
He paused, wiping back his dark hair, which was no longer long; just before the launch they had cropped it. But he had evidently forgotten.“You believe everything you see on TV?” he said, and came on again, haltingly, but smiling now. And reaching up for her.
God, it felt good to hold him, and to have him clutch at her again, with more strength than she had expected. “I was going to find somebody else,” she gasped. “To replace you.”
“I'll knock your head off if you do,” he said. “Anyhow, that isn't possible; nobody could replace me.”
“But what about the implosion?” she said. “On reentry; they said—”
“I forget,” Addison said, in the tone he used when he meant, I'm not going to discuss it. The tone had always angered her before, but not now. This time she sensed how awful the memory was.“I'm going to stay at your place a couple of days,” he said, as together they moved up the path toward the open front door of the tilted A-frame house. “If that's okay. And Benz and Crayne will be joining me, later on; maybe even as soon as tonight. We've got a lot to talk over and figure out.”
“Then all three of you survived.” She gazed up into his careworn face. “Everything they said on TV …” She understood, then. Or believed she did. “It was a cover story. For—political purposes, to fool the Russians. Right? I mean, the Soviet Union'll think the launch was a failure because on reentry—”
“No,” he said. “A chrononaut will be joining us, most likely. To help figure out what happened. General Toad said one of them is already on his way here; they got clearance already. Because of the gravity of the situation.”
“Jesus,” the girl said, stricken. “Then who's the cover story for?”
“Let's have something to drink,” Addison said.“And then I'll outline it all for you.”

Philip K. Dick: The Skull

Philip K. Dick, The Skull, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Science Fiction Short Stories, Historias de ciencia ficcion, Salomé Guadalupe Ingelmo


"What is this opportunity?" Conger asked. "Go on. I'm interested."

The room was silent; all faces were fixed on Conger—still in the drab prison uniform. The Speaker leaned forward slowly.

"Before you went to prison your trading business was paying well—all illegal—all very profitable. Now you have nothing, except the prospect of another six years in a cell."

Conger scowled.

"There is a certain situation, very important to this Council, that requires your peculiar abilities. Also, it is a situation you might find interesting. You were a hunter, were you not? You've done a great deal of trapping, hiding in the bushes, waiting at night for the game? I imagine hunting must be a source of satisfaction to you, the chase, the stalking—"

Conger sighed. His lips twisted. "All right," he said. "Leave that out. Get to the point. Who do you want me to kill?"

The Speaker smiled. "All in proper sequence," he said softly.

The car slid to a stop. It was night; there was no light anywhere along the street. Conger looked out. "Where are we? What is this place?"

The hand of the guard pressed into his arm. "Come. Through that door."

Conger stepped down, onto the damp sidewalk. The guard came swiftly after him, and then the Speaker. Conger took a deep breath of the cold air. He studied the dim outline of the building rising up before them.

"I know this place. I've seen it before." He squinted, his eyes growing accustomed to the dark. Suddenly he became alert. "This is—"

"Yes. The First Church." The Speaker walked toward the steps. "We're expected."

"Expected? Here?"

"Yes." The Speaker mounted the stairs. "You know we're not allowed in their Churches, especially with guns!" He stopped. Two armed soldiers loomed up ahead, one on each side.

"All right?" The Speaker looked up at them. They nodded. The door of the Church was open. Conger could see other soldiers inside, standing about, young soldiers with large eyes, gazing at the ikons and holy images.

"I see," he said.

"It was necessary," the Speaker said. "As you know, we have been singularly unfortunate in the past in our relations with the First Church."

"This won't help."

"But it's worth it. You will see."

They passed through the hall and into the main chamber where the altar piece was, and the kneeling places. The Speaker scarcely glanced at the altar as they passed by. He pushed open a small side door and beckoned Conger through.

"In here. We have to hurry. The faithful will be flocking in soon."

Conger entered, blinking. They were in a small chamber, low-ceilinged, with dark panels of old wood. There was a smell of ashes and smoldering spices in the room. He sniffed. "What's that? The smell."

Philip K. Dick: Paychek

Philip K. Dick, Paychek, Relatos de misterio, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales


ALL AT ONCE he was in motion. Around him smooth jets hummed. He was on a small private rocket cruiser, moving leisurely across the afternoon sky, between cities.
"Ugh!" he said, sitting up in his seat and rubbing his head. Beside him Earl Rethrick was staring keenly at him, his eyes bright.
"Coming around?"
"Where are we?" Jennings shook his head, trying to clear the dull ache. "Or maybe I should ask that a different way." Already, he could see that it was not late fall. It was spring. Below the cruiser the fields were green. The last thing he remembered was stepping into an elevator with Rethrick. And it was late fall. And in New York.
"Yes," Rethrick said. "It's almost two years later. You'll find a lot of things have changed. The Government fell a few months ago. The new Government is even stronger. The SP, Security Police, have almost unlimited power. They're teaching the schoolchildren to inform, now. But we all saw that coming. Let's see, what else? New York is larger. I understand they've finished filling in San Francisco Bay."
"What I want to know is what the hell I've been doing the last two years!" Jennings lit a cigarette nervously, pressing the strike end. "Will you tell me that?"
"No. Of course I won't tell you that."
"Where are we going?"
"Back to the New York Office. Where you first met me. Remember? You probably remember it better than I. After all, it was just a day or so ago for you."
Jennings nodded. Two years! Two years out of his life, gone forever. It didn't seem possible. He had still been considering, debating, when he stepped into the elevator. Should he change his mind? Even if he were getting that much money - and it was a lot, even for him - it didn't really seem worth it. He would always wonder what work he had been doing. Was it legal? Was it - But that was past speculation, now. Even while he was trying to make up his mind the curtain had fallen. He looked ruefully out the window at the afternoon sky. Below, the earth was moist and alive. Spring, spring two years later. And what did he have to show for the two years?
"Have I been paid?" he asked. He slipped his wallet out and glanced into it. "Apparently not."
"No. You'll be paid at the Office. Kelly will pay you."
"The whole works at once?"
"Fifty thousand credits."
Jennings smiled. He felt a little better, now that the sum had been spoken aloud. Maybe it wasn't so bad, after all. Almost like being paid to sleep. But he was two years older; he had just that much less to live. It was like selling part of himself, part of his life. And life was worth plenty, these days. He shrugged. Anyhow, it was in the past.

Philip K. Dick: We Can Remember it For You Wholesale

Philip K. Dick



He awoke and wanted Mars. The valleys, he thought. What would it be like to trudge among them? Great and greater yet: the dream grew as he became fully conscious, the dream and the yearning. He could almost feel the enveloping presence of the other world, which only Government agents and high officials had seen. A clerk like himself? Not likely.
"Are you getting up or not?" his wife Kirsten asked drowsily, with her usual hint of fierce crossness. "If you are, push the hot coffee button on the darn stove."
"Okay," Douglas Quail said, and made his way barefoot from the bedroom of their conapt to the kitchen. There, having dutifully pressed the hot coffee button, he seated himself at the kitchen table, brought out a yellow, small tin of fine Dean Swift snuff. He inhaled briskly,, and the Beau Nash mixture stung his nose, burned the roof of his mouth. But still he inhaled; it woKe him up and allowed his dreams, his nocturnal desires and random wishes, to condense into a semblance of rationality.
I will go, he said to himself. Before I die I'll see Mars.
It was, of course, impossible, and he knew this even as he dreamed. But the daylight, the mundane noise of his wife now brushing her hair before the bedroom mirror everything conspired to remind him of what he was. A miserable little salaried employee, he said to himself with bitterness. Kirsten reminded him of this at least once a day and he did not blame her; it was a wife's job to bring her husband down to Earth. Down to Earth, he thought, and laughed. The figure of speech in this was literally apt.
"What are you sniggering about?" his wife asked as she swept into the kitchen, her long busy-pink robe wagging after her. "A dream, I bet. You're always full of them."
"Yes," he said, and gazed out the kitchen window at the hovercars and traffic runnels, and all the little energetic people hurrying to work. In a little while he would be among them. As always.
"I'll bet it has to do with some woman," Kirsten said witheringly.
"No," he said. "A god. The god of war. He has wonderful craters with every kind of plant-life growing deep down in them."

Philip K. Dick: The Eyes Have It

Philip K. Dick



It was quite by accident I discovered this incredible invasion of Earth by lifeforms from another planet. As yet, I haven't done anything about it; I can't think of anything to do. I wrote to the Government, and they sent back a pamphlet on the repair and maintenance of frame houses. Anyhow, the whole thing is known; I'm not the first to discover it. Maybe it's even under control.

I was sitting in my easy-chair, idly turning the pages of a paperback book someone had left on the bus, when I came across the reference that first put me on the trail. For a moment I didn't respond. It took some time for the full import to sink in. After I'd comprehended, it seemed odd I hadn't noticed it right away.

The reference was clearly to a nonhuman species of incredible properites, not indigenous to Earth. A species, I hasten to point out, customarily masquerading as ordinary human beings. Their disguise, however, became transparent in the face of the following observations by the author. It was at once obvious the author knew everything. Knew everything—and was taking it in his stride. The line (and I tremble remembering it even now) read:

. . . his eyes slowly roved about the room.

Vague chills assailed me. I tried to picture the eyes. Did they roll like dimes? The passage indicated not; they seemed to move through the air, not over the surface. Rather rapidly, apparently. No one in the story was surprised. That's what tipped me off. No sign of amazement at such an outrageous thing. Later the matter was amplified.

. . . his eyes moved from person to person.

There it was in a nutshell. The eyes had clearly come apart from the rest of him and were on their own. My heart pounded and my breath choked in my windpipe. I had stumbled on an accidental mention of a totally unfamiliar race. Obviously non-Terrestrial. Yet, to the characters in the book, it was perfectly natural—which suggested they belonged to the same species.

And the author? A slow suspicion burned in my mind. The author was taking it rather too easily in his stride. Evidently, he felt this was quite a usual thing. He made absolutely no attempt to conceal this knowledge. The story continued:

. . . presently his eyes fastened on Julia.

Philip K. Dick: Captive market

Philip K. Dick



Saturday morning, about eleven o'clock, Mrs. Edna Berthelson was ready to make her little trip. Although it was a weekly affair, consuming four hours of her valuable business time, she made the profitable trip alone, preserving for herself the integrity of her find.
Because that was what it was. A find, a stroke of incredible luck. There was nothing else like it, and she had been in business fifty-three years. More, if the years in her father's store were counted—but they didn't really count. That had been for the experience (her father made that clear); no pay was involved. But it gave her the understanding of business, the feel of operating a small country store, dusting pencils and unwrapping flypaper and serving up dried beans and chasing the cat out of the cracker barrel where he liked to sleep.
Now the store was old, and so was she. The big, heavyset, black-browed man who was her father had died long ago; her own children and grandchildren had been spawned, had crept out over the world, were everywhere. One by one they had appeared, lived in Walnut Creek, sweated through the dry, sun-baked summers, and then gone on, leaving one by one as they had come. She and the store sagged and settled a little more each year, became a little more frail and stem and grim. A little more themselves.
That morning very early Jackie said: "Grandmaw, where are you going?" Although he knew, of course, where she was going. She was going out in her truck as she always did; this was the Saturday trip. But he liked to ask; he was pleased by the stability of the answer. He liked having it always the same.
To another question there was another unvarying answer, but this one didn't please him so much. It came in answer to the question. "Can I come along?"
The answer to that was always no.
Edna Berthelson laboriously carried packages and boxes from the back of the store to the rusty, upright pickup truck. Dust lay over the truck; its red-metal sides were bent and corroded. The motor was already on; it was wheezing and heating up in the midday sun. A few drab chickens pecked in the dust around its wheels. Under the porch of the store a plump white shaggy sheep squatted, its face vapid, indolent, indifferently watching the activity of the day. Cars and trucks rolled along Mount Diablo Boulevard. Along Lafayette Avenue a few shoppers strolled, farmers and their wives, petty businessmen, farmhands, some city women in their gaudy slacks and print shirts, sandals, bandannas. In the front of the store the radio tinnily played popular songs.
"I asked you a question," Jackie said righteously. "I asked you where you're going."
Mrs. Berthelson bent stiffly over to lift the last armload of boxes. Most of the loading had been done the night before by Arnie the Swede, the hulking, white-haired hired man who did the heavy work around the store. "What?" she murmured vaguely, her gray, wrinkled face twisting with concentration. "You know perfectly well where I'm going. "
Jackie trailed plaintively after her, as she reentered the store to look for her order book. "Can I come? Please, can I come along? You never let me come—you never let anybody come. "
"Of course not," Mrs. Berthelson said sharply. "It's nobody's business. "
"But I want to come along," Jackie explained.

Philip K. Dick: The Cookie Lady



"Where you going, Bubber?" Ernie Mill shouted from across the street, fixing papers for his route.
"No place," Bubber Surle said.
"You going to see your lady friend?" Ernie laughed and laughed. "What do you go visit that old
lady for? Let us in on it!"
Bubber went on. He turned the corner and went down Elm Street. Already, he could see the
house, at the end of the street, set back a little on the lot. The front of the house was overgrown with
weeds, old dry weeds that rustled and chattered in the wind. The house itself was a little gray box,
shabby and unpainted, the porch steps sagging. There was an old weather-beaten rocking chair on the
porch with a torn piece of cloth hanging over it.
Bubber went up the walk. As he started up the rickety steps he took a deep breath. He could
smell it, the wonderful warm smell, and his mouth began to water. His heart thudding with anticipation,
Bubber turned the handle of the bell. The bell grated rustily on the other side of the door. There was
silence for a time, then the sounds of someone stirring.
Mrs Drew opened the door. She was old, very old, a little dried-up old lady, like the weeds that
grew along the front of the house. She smiled down at Bubber, holding the door wide for him to come in.
"You're just in time," she said. "Come on inside, Bernard. You're just in time -- they're just now
ready."

Tales of Mystery and Imagination