The first diabolical character who intruded himself on my peaceful
youth (as I called to mind that day at Dullborough), was a certain
Captain Murderer. This wretch must have been an off-shoot of the
Blue Beard family, but I had no suspicion of the consanguinity in
those times. His warning name would seem to have awakened no
general prejudice against him, for he was admitted into the best
society and possessed immense wealth. Captain Murderer's mission
was matrimony, and the gratification of a cannibal appetite with
tender brides. On his marriage morning, he always caused both
sides of the way to church to be planted with curious flowers; and
when his bride said, 'Dear Captain Murderer, I ever saw flowers
like these before: what are they called?' he answered, 'They are
called Garnish for house-lamb,' and laughed at his ferocious
practical joke in a horrid manner, disquieting the minds of the
noble bridal company, with a very sharp show of teeth, then
displayed for the first time. He made love in a coach and six, and
married in a coach and twelve, and all his horses were milk-white
horses with one red spot on the back which he caused to be hidden
by the harness. For, the spot WOULD come there, though every horse
was milk-white when Captain Murderer bought him. And the spot was
young bride's blood. (To this terrific point I am indebted for my
first personal experience of a shudder and cold beads on the
forehead.) When Captain Murderer had made an end of feasting and
revelry, and had dismissed the noble guests, and was alone with his
wife on the day month after their marriage, it was his whimsical
custom to produce a golden rolling-pin and a silver pie-board.
Now, there was this special feature in the Captain's courtships,
that he always asked if the young lady could make pie-crust; and if
she couldn't by nature or education, she was taught. Well. When
the bride saw Captain Murderer produce the golden rolling-pin and
silver pie-board, she remembered this, and turned up her laced-silk
sleeves to make a pie. The Captain brought out a silver pie-dish
of immense capacity, and the Captain brought out flour and butter
and eggs and all things needful, except the inside of the pie; of
materials for the staple of the pie itself, the Captain brought out
none. Then said the lovely bride, 'Dear Captain Murderer, what pie
is this to be?' He replied, 'A meat pie.' Then said the lovely
bride, 'Dear Captain Murderer, I see no meat.' The Captain
humorously retorted, 'Look in the glass.' She looked in the glass,
but still she saw no meat, and then the Captain roared with
laughter, and suddenly frowning and drawing his sword, bade her
roll out the crust. So she rolled out the crust, dropping large
tears upon it all the time because he was so cross, and when she
had lined the dish with crust and had cut the crust all ready to
fit the top, the Captain called out, 'I see the meat in the glass!'
And the bride looked up at the glass, just in time to see the
Captain cutting her head off; and he chopped her in pieces, and
peppered her, and salted her, and put her in the pie, and sent it
to the baker's, and ate it all, and picked the bones.
Tales of Mystery and Imagination
Tales of Mystery and Imagination
" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.
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Showing posts with label Charles Dickens. Show all posts
Showing posts with label Charles Dickens. Show all posts
Charles Dickens: The Chimes: A Goblin Story of Some Bells that Rang an Old Year Out and a New Year
CHAPTER I—First Quarter.
There are not many people—and as it is desirable that a story-teller and a story-reader should establish a mutual understanding as soon as possible, I beg it to be noticed that I confine this observation neither to young people nor to little people, but extend it to all conditions of people: little and big, young and old: yet growing up, or already growing down again—there are not, I say, many people who would care to sleep in a church. I don’t mean at sermon-time in warm weather (when the thing has actually been done, once or twice), but in the night, and alone. A great multitude of persons will be violently astonished, I know, by this position, in the broad bold Day. But it applies to Night. It must be argued by night, and I will undertake to maintain it successfully on any gusty winter’s night appointed for the purpose, with any one opponent chosen from the rest, who will meet me singly in an old churchyard, before an old church-door; and will previously empower me to lock him in, if needful to his satisfaction, until morning.
For the night-wind has a dismal trick of wandering round and round a building of that sort, and moaning as it goes; and of trying, with its unseen hand, the windows and the doors; and seeking out some crevices by which to enter. And when it has got in; as one not finding what it seeks, whatever that may be, it wails and howls to issue forth again: and not content with stalking through the aisles, and gliding round and round the pillars, and tempting the deep organ, soars up to the roof, and strives to rend the rafters: then flings itself despairingly upon the stones below, and passes, muttering, into the vaults. Anon, it comes up stealthily, and creeps along the walls, seeming to read, in whispers, the Inscriptions sacred to the Dead. At some of these, it breaks out shrilly, as with laughter; and at others, moans and cries as if it were lamenting. It has a ghostly sound too, lingering within the altar; where it seems to chaunt, in its wild way, of Wrong and Murder done, and false Gods worshipped, in defiance of the Tables of the Law, which look so fair and smooth, but are so flawed and broken. Ugh! Heaven preserve us, sitting snugly round the fire! It has an awful voice, that wind at Midnight, singing in a church!
But, high up in the steeple! There the foul blast roars and whistles! High up in the steeple, where it is free to come and go through many an airy arch and loophole, and to twist and twine itself about the giddy stair, and twirl the groaning weathercock, and make the very tower shake and shiver! High up in the steeple, where the belfry is, and iron rails are ragged with rust, and sheets of lead and copper, shrivelled by the changing weather, crackle and heave beneath the unaccustomed tread; and birds stuff shabby nests into corners of old oaken joists and beams; and dust grows old and grey; and speckled spiders, indolent and fat with long security, swing idly to and fro in the vibration of the bells, and never loose their hold upon their thread-spun castles in the air, or climb up sailor-like in quick alarm, or drop upon the ground and ply a score of nimble legs to save one life! High up in the steeple of an old church, far above the light and murmur of the town and far below the flying clouds that shadow it, is the wild and dreary place at night: and high up in the steeple of an old church, dwelt the Chimes I tell of.
Charles Dickens: To be read at dus
One, two, three, four, five. There were five of them.
Five couriers, sitting on a bench outside the convent on the summit of the Great St. Bernard in Switzerland, looking at the remote heights, stained by the setting sun as if a mighty quantity of red wine had been broached upon the mountain top, and had not yet had time to sink into the snow.
This is not my simile. It was made for the occasion by the stoutest courier, who was a German. None of the others took any more notice of it than they took of me, sitting on another bench on the other side of the convent door, smoking my cigar, like them, and — also like them — looking at the reddened snow, and at the lonely shed hard by, where the bodies of belated travellers, dug out of it, slowly wither away, knowing no corruption in that cold region.
The wine upon the mountain top soaked in as we looked; the mountain became white; the sky, a very dark blue; the wind rose; and the air turned piercing cold. The five couriers buttoned their rough coats. There being no safer man to imitate in all such proceedings than a courier, I buttoned mine.
The mountain in the sunset had stopped the five couriers in a conversation. It is a sublime sight, likely to stop conversation. The mountain being now out of the sunset, they resumed. Not that I had heard any part of their previous discourse; for indeed, I had not then broken away from the American gentleman, in the travellers’ parlour of the convent, who, sitting with his face to the fire, had undertaken to realise to me the whole progress of events which had led to the accumulation by the Honourable Ananias Dodger of one of the largest acquisitions of dollars ever made in our country.
‘My God!’ said the Swiss courier, speaking in French, which I do not hold (as some authors appear to do) to be such an all- sufficient excuse for a naughty word, that I have only to write it in that language to make it innocent; ‘if you talk of ghosts — ’
Charles Dickens: The Mortals in the House (The haunted house)
Under none of the accredited ghostly circumstances, and environed by none of the conventional ghostly surroundings, did I first make acquaintance with the house which is the subject of this Christmas piece. I saw it in the daylight, with the sun upon it. There was no wind, no rain, no lightning, no thunder, no awful or unwonted circumstance, of any kind, to heighten its effect. More than that: I had come to it direct from a railway station: it was not more than a mile distant from the railway station; and, as I stood outside the house, looking back upon the way I had come, I could see the goods train running smoothly along the embankment in the valley. I will not say that everything was utterly commonplace, because I doubt if anything can be that, except to utterly commonplace people — and there my vanity steps in; but, I will take it on myself to say that anybody might see the house as I saw it, any fine autumn morning.
The manner of my lighting on it was this.
I was travelling towards London out of the North, intending to stop by the way, to look at the house. My health required a temporary residence in the country; and a friend of mine who knew that, and who had happened to drive past the house, had written to me to suggest it as a likely place. I had got into the train at midnight, and had fallen asleep, and had woke up and had sat looking out of window at the brilliant Northern Lights in the sky, and had fallen asleep again, and had woke up again to find the night gone, with the usual discontented conviction on me that I hadn’t been to sleep at all;— upon which question, in the first imbecility of that condition, I am ashamed to believe that I would have done wager by battle with the man who sat opposite me. That opposite man had had, through the night — as that opposite man always has — several legs too many, and all of them too long. In addition to this unreasonable conduct (which was only to be expected of him), he had had a pencil and a pocket-book, and had been perpetually listening and taking notes. It had appeared to me that these aggravating notes related to the jolts and bumps of the carriage, and I should have resigned myself to his taking them, under a general supposition that he was in the civil-engineering way of life, if he had not sat staring straight over my head whenever he listened. He was a goggle-eyed gentleman of a perplexed aspect, and his demeanour became unbearable.
Charles Dickens: The Ghost in Master B.’s Room (The haunted house)
When I established myself in the triangular garret which had gained so distinguished a reputation, my thoughts naturally turned to Master B. My speculations about him were uneasy and manifold. Whether his Christian name was Benjamin, Bissextile (from his having been born in Leap Year), Bartholomew, or Bill. Whether the initial letter belonged to his family name, and that was Baxter, Black, Brown, Barker, Buggins, Baker, or Bird. Whether he was a foundling, and had been baptized B. Whether he was a lion-hearted boy, and B. was short for Briton, or for Bull. Whether he could possibly have been kith and kin to an illustrious lady who brightened my own childhood, and had come of the blood of the brilliant Mother Bunch?
With these profitless meditations I tormented myself much. I also carried the mysterious letter into the appearance and pursuits of the deceased; wondering whether he dressed in Blue, wore Boots (he couldn’t have been Bald), was a boy of Brains, liked Books, was good at Bowling, had any skill as a Boxer, even in his Buoyant Boyhood Bathed from a Bathing-machine at Bognor, Bangor, Bournemouth, Brighton, or Broadstairs, like a Bounding Billiard Ball?
So, from the first, I was haunted by the letter B.
Charles Dickens: The Baron of Grogzwig (Nicholas Nickleby)
The Baron Von Koëldwethout, of Grogzwig in Germany, was as likely a young baron as you would wish to see. I needn't say that he lived in a castle, because that's of course; neither need I say that he lived in an old castle; for what German baron ever lived in a new one? There were many strange circumstances connected with this venerable building, among which, not the least startling and mysterious were, that when the wind blew, it rumbled in the chimneys, or even howled among the trees in the neighbouring forest; and that when the moon shone, she found her way through certain small loopholes in the wall, and actually made some parts of the wide halls and galleries quite light, while she left others in gloomy shadow. I believe that one of the baron's ancestors, being short of money, had inserted a dagger in a gentleman who called one night to ask his way, and it was supposed that these miraculous occurrences took place in consequence. And yet I hardly know how that could have been, either, because the baron's ancestor, who was an amiable man, felt very sorry afterwards for having been so rash, and laying violent hands upon a quantity of stone and timber which belonged to a weaker baron, built a chapel as an apology, and so took a receipt from Heaven, in full of all demands.
Talking of the baron's ancestor puts me in mind of the baron's great claims to respect, on the score of his pedigree. I am afraid to say, I am sure, how many ancestors the baron had; but I know that he had a great many more than any other man of his time; and I only wish that he had lived in these latter days, that he might have had more. It is a very hard thing upon the great men of past centuries, that they should have come into the world so soon, because a man who was born three or four hundred years ago, cannot reasonably be expected to have had as many relations before him, as a man who is born now. The last man, whoever he is - and he may be a cobbler or some low vulgar dog for aught we know - will have a longer pedigree than the greatest nobleman now alive; and I contend that this is not fair.
Charles Dickens: A Christmas Carol
Dickens by Samuel Laurence |
STAVE ONE.
MARLEY’S GHOST.
Marley was dead: to begin with. There is no doubt whatever about that. The register of his burial was signed by the clergyman, the clerk, the undertaker, and the chief mourner. Scrooge signed it: and Scrooge’s name was good upon ’Change, for anything he chose to put his hand to. Old Marley was as dead as a door-nail.
Mind! I don’t mean to say that I know, of my own knowledge, what there is particularly dead about a door-nail. I might have been inclined, myself, to regard a coffin-nail as the deadest piece of ironmongery in the trade. But the wisdom of our ancestors is in the simile; and my unhallowed hands shall not disturb it, or the Country’s done for. You will therefore permit me to repeat, emphatically, that Marley was as dead as a door-nail.
Scrooge knew he was dead? Of course he did. How could it be otherwise? Scrooge and he were partners for I don’t know how many years. Scrooge was his sole executor, his sole administrator, his sole assign, his sole residuary legatee, his sole friend, and sole mourner. And even Scrooge was not so dreadfully cut up by the sad event, but that he was an excellent man of business on the very day of the funeral, and solemnised it with an undoubted bargain.
The mention of Marley’s funeral brings me back to the point I started from. There is no doubt that Marley was dead. This must be distinctly understood, or nothing wonderful can come of the story I am going to relate. If we were not perfectly convinced that Hamlet’s Father died before the play began, there would be nothing more remarkable in his taking a stroll at night, in an easterly wind, upon his own ramparts, than there would be in any other middle-aged gentleman rashly turning out after dark in a breezy spot—say Saint Paul’s Churchyard for instance—literally to astonish his son’s weak mind.
Charles Dickens: the Story of the Bagman's Uncle (The Pickwick Papers)
'My uncle, gentlemen,' said the bagman, 'was one of the merriest, pleasantest, cleverest fellows, that ever lived. I wish you had known him, gentlemen. On second thoughts, gentlemen, I don't wish you had known him, for if you had, you would have been all, by this time, in the ordinary course of nature, if not dead, at all events so near it, as to have taken to stopping at home and giving up company, which would have deprived me of the inestimable pleasure of addressing you at this moment. Gentlemen, I wish your fathers and mothers had known my uncle. They would have been amazingly fond of him, especially your respectable mothers; I know they would. If any two of his numerous virtues predominated over the many that adorned his character, I should say they were his mixed punch and his after- supper song. Excuse my dwelling on these melancholy recollections of departed worth; you won't see a man like my uncle every day in the week.
'I have always considered it a great point in my uncle's
character, gentlemen, that he was the intimate friend and companion of Tom
Smart, of the great house of Bilson and Slum, Cateaton Street, City. My uncle
collected for Tiggin and Welps, but for a long time he went pretty near the same
journey as Tom; and the very first night they met, my uncle took a fancy for
Tom, and Tom took a fancy for my uncle. They made a bet of a new hat before they
had known each other half an hour, who should brew the best quart of punch and
drink it the quickest. My uncle was judged to have won the making, but Tom Smart
beat him in the drinking by about half a salt-spoonful. They took another quart
apiece to drink each other's health in, and were staunch friends ever
afterwards. There's a destiny in these things, gentlemen; we can't help it.
Charles Dickens: The bagman's story (The Pickwick Papers)
and he used to tell it, something in this way.
'One winter's evening, about five o'clock, just as it began to grow dusk, a man in a gig might have been seen urging his tired horse along the road which leads across Marlborough Downs, in the direction of Bristol. I say he might have been seen, and I have no doubt he would have been, if anybody but a blind man had happened to pass that way; but the weather was so bad, and the night so cold and wet, that nothing was out but the water, and so the traveller jogged along in the middle of the road, lonesome and dreary enough. If any bagman of that day could have caught sight of the little neck-or-nothing sort of gig, with a clay- coloured body and red wheels, and the vixenish, ill tempered, fast-going bay mare, that looked like a cross between a butcher's horse and a twopenny post-office pony, he would have known at once, that this traveller could have been no other than Tom Smart, of the great house of Bilson and Slum, Cateaton Street, City. However, as there was no bagman to look on, nobody knew anything at all about the matter; and so Tom Smart and his clay-coloured gig with the red wheels, and the vixenish mare with the fast pace, went on together, keeping the secret among them, and nobody was a bit the wiser.
'There are many pleasanter places even in this dreary world, than Marlborough Downs when it blows hard; and if you throw in beside, a gloomy winter's evening, a miry and sloppy road, and a pelting fall of heavy rain, and try the effect, by way of experiment, in your own proper person, you will experience the full force of this observation.
Charles Dickens: The Story of the Goblins Who Stole a Sexton
Alexander Glasgow - Portrait of Charles Dickens |
In an old abbey town, down in this part of the country, a long, long while ago - so long, that the story must be a true one, because our great-grandfathers implicitly believed it - there officiated as sexton and grave-digger in the churchyard, one Gabriel Grub. It by no means follows that because a man is a sexton, and constantly surrounded by the emblems of mortality, therefore he should be a morose and melancholy man; your undertakers are the merriest fellows in the world; and I once had the honour of being on intimate terms with a mute, who in private life, and off duty, was as comical and jocose a little fellow as ever chirped out a devil-may-care song, without a hitch in his memory, or drained off a good stiff glass without stopping for breath. But notwithstanding these precedents to the contrary, Gabriel Grub was an ill-conditioned, cross-grained, surly fellow - a morose and lonely man, who consorted with nobody but himself, and an old wicker bottle which fitted into his large deep waistcoat pocket - and who eyed each merry face, as it passed him by, with such a deep scowl of malice and ill-humour, as it was difficult to meet without feeling something the worse for.
A little before twilight, one Christmas Eve, Gabriel shouldered his spade, lighted his lantern, and betook himself towards the old churchyard; for he had got a grave to finish by next morning, and, feeling very low, he thought it might raise his spirits, perhaps, if he went on with his work at once. As he went his way, up the ancient street, he saw the cheerful light of the blazing fires gleam through the old casements, and heard the loud laugh and the cheerful shouts of those who were assembled around them; he marked the bustling preparations for next day's cheer, and smelled the numerous savoury odours consequent thereupon, as they steamed up from the kitchen windows in clouds. All this was gall and wormwood to the heart of Gabriel Grub; and when groups of children bounded out of the houses, tripped across the road, and were met, before they could knock at the opposite door, by half a dozen curly-headed little rascals who crowded round them as they flocked upstairs to spend the evening in their Christmas games, Gabriel smiled grimly, and clutched the handle of his spade with a firmer grasp, as he thought of measles, scarlet fever, thrush, whooping-cough, and a good many other sources of consolation besides.
Charles Dickens: A Madman's Manuscrip
"Yes! -- a madman's! How that word would have struck to my heart, many years ago! How it would have roused the terror that used to come upon me sometimes; sending the blood hissing and tingling through my veins, till the cold dew of fear stood in large drops upon my skin, and my knees knocked together with fright! I like it now though. It's a fine name. Shew me the monarch whose angry frown was ever feared like the glare of a madman's eye -- whose cord and axe were ever half so sure as a madman's grip. Ho! ho! It's a grand thing to be mad! to be peeped at like a wild lion through the iron bars -- to gnash one's teeth and howl, through the long still night, to the merry ring of a heavy chain -- and to roll and twine among the straw, transported with such brave music. Hurrah for the madhouse! Oh, it's a rare place!
"I remember days when I was afraid of being mad; when I used to start from my sleep, and fall upon my knees, and pray to be spared from the curse of my race; when I rushed from the sight of merriment or happiness, to hide myself in some lonely place, and spend the weary hours in watching the progress of the fever that was to consume my brain. I knew that madness was mixed up with my very blood, and the marrow of my bones; that one generation had passed away without the pestilence appearing among them, and that I was the first in whom it would revive. I knew it must be so: that so it always had been, and so it ever would be: and when I cowered in some obscure corner of a crowded room, and saw men whisper, and point, and turn their eyes towards me, I knew they were telling each other of the doomed madman; and I slunk away again to mope in solitude.
Charles Dickens: The Trial For Murder
I have always noticed a prevalent want of courage, even among persons of superior intelligence and culture, as to imparting their own psychological experiences when those have been of a strange sort. Almost all men are afraid that what they could relate in such wise would find no parallel or response in a listener's internal life, and might be suspected or laughed at. A truthful traveller, who should have seen some extraordinary creature in the likeness of a sea-serpent, would have no fear of mentioning it; but the same traveller, having had some singular presentiment, impulse, vagary of thought, vision (so-called), dream, or other remarkable mental impression, would hesitate considerably before he would own to it. To this reticence I attribute much of the obscurity in which such subjects are involved. We do not habitually communicate our experiences of these subjective things as we do our experiences of objective creation. The consequence is, that the general stock of experience in this regard appears exceptional, and really is so, in respect of being miserably imperfect.
In what I am going to relate, I have no intention of setting up, opposing, or supporting, any theory whatever. I know the history of the Bookseller of Berlin, I have studied the case of the wife of a late Astronomer Royal as related by Sir David Brewster, and I have followed the minutest details of a much more remarkable case of Spectral Illusion occurring within my private circle of friends. It may be necessary to state as to this last, that the sufferer (a lady) was in no degree, however distant, related to me. A mistaken assumption on that head might suggest an explanation of a part of my own case, -- but only a part, -- which would be wholly without foundation. It cannot be referred to my inheritance of any developed peculiarity, nor had I ever before any at all similar experience, nor have I ever had any at all similar experience since.
Charles Dickens: Mr. Testator's Visitation
Charles Dickens by William Powell Frith |
This was a man who, though not more than thirty, had seen the world in divers irreconcilable capacities—had been an officer in a South American regiment among other odd things—but had not achieved much in any way of life, and was in debt, and in hiding. He occupied chambers of the dreariest nature in Lyons Inn; his name, however, was not up on the door, or door-post, but in lieu of it stood the name of a friend who had died in the chambers, and had given him the furniture. The story arose out of the furniture, and was to this effect:- Let the former holder of the chambers, whose name was still upon the door and door-post, be Mr. Testator.
Mr. Testator took a set of chambers in Lyons Inn when he had but very scanty furniture for his bedroom, and none for his sitting-room. He had lived some wintry months in this condition, and had found it very bare and cold. One night, past midnight, when he sat writing and still had writing to do that must be done before he went to bed, he found himself out of coals. He had coals down-stairs, but had never been to his cellar; however the cellar-key was on his mantelshelf, and if he went down and opened the cellar it fitted, he might fairly assume the coals in that cellar to be his. As to his laundress, she lived among the coal-waggons and Thames watermen—for there were Thames watermen at that time—in some unknown rat-hole by the river, down lanes and alleys on the other side of the Strand. As to any other person to meet him or obstruct him, Lyons Inn was dreaming, drunk, maudlin, moody, betting, brooding over bill-discounting or renewing—asleep or awake, minding its own affairs. Mr. Testator took his coal-scuttle in one hand, his candle and key in the other, and descended to the dismallest underground dens of Lyons Inn, where the late vehicles in the streets became thunderous, and all the water-pipes in the neighbourhood seemed to have Macbeth’s Amen sticking in their throats, and to be trying to get it out. After groping here and there among low doors to no purpose, Mr. Testator at length came to a door with a rusty padlock which his key fitted. Getting the door open with much trouble, and looking in, he found, no coals, but a confused pile of furniture. Alarmed by this intrusion on another man’s property, he locked the door again, found his own cellar, filled his scuttle, and returned up-stairs.
Charles Dickens: The signal-man
"Halloa! Below there!"
When he heard a voice thus calling to him, he was standing at the door of his box, with a flag in his hand, furled round its short pole. One would have thought, considering the nature of the ground, that he could not have doubted from what quarter the voice came; but, instead of looking up to where I stood on the top of the steep cutting nearly over his head, he turned himself about and looked down the Line. There was something remarkable in his manner of doing so, though I could not have said, for my life, what. But, I know it was remarkable enough to attract my notice, even though his figure was foreshortened and shadowed, down in the deep trench, and mine was high above him, so steeped in the glow of an angry sunset that I had shaded my eyes with my hand before I saw him at all.
"Halloa! Below!"
From looking down the Line, he turned himself about again, and, raising his eyes, saw my figure high above him.
"Is there any path by which I can come down and speak to you?"
He looked up at me without replying, and I looked down at him without pressing him too soon with a repetition of my idle question. Just then, there came a vague vibration in the earth and air, quickly changing into a violent pulsation, and an oncoming rush that caused me to start back, as though it had force to draw me down. When such vapour as rose to my height from this rapid train, had passed me and was skimming away over the landscape, I looked down again, and saw him re-furling the flag he had shown while the train went by.
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