Stephen Crane: Ominous Baby

   A baby was wandering in a strange country. He was a tattered child with a frowsled wealth of yellow hair. His dress, of a checked stuff, was soiled and showed the marks of many conflicts like the chain-shirt of a warrior. His sun-tanned knees shone above wrinkled stockings which he pulled up occasionally with an impatient movement when they entangled his feet. From a gaping shoe there appeared an array of tiny toes.

   He was toddling along an avenue between rows of stolid, brown houses. He went slowly, with a look of absorbed interest on his small, flushed face. His blue eyes stared curiously. Carriages went with a musical rumble over the smooth asphalt. A man with a chrysanthemum was going up steps. Two nursery-maids chatted as they walked slowly, while their charges hob-nobbed amiably between perambulators. A truck wagon roared thunderously in the distance.

   The child from the poor district made way along the brown street filled with dull gray shadows. High up, near the roofs, glancing sun-rays changed cornices to blazing gold and silvered the fronts of windows. The wandering baby stopped and stared at the two children laughing and playing in their carriages among the heaps of rugs and cushions. He braced his legs apart in an attitude of earnest attention. His lower jaw fell and disclosed his small even teeth. As they moved on, he followed the carriages with awe in his face as if contemplating a pageant. Once one of the babies, with twittering laughter, shook a gorgeous rattle at him. He smiled jovially in return.

   Finally a nursery maid ceased conversation and, turning, made a gesture of annoyance.

   "Go 'way, little boy," she said to him. "Go 'way. You're all dirty."

   He gazed at her with infant tranquillity for a moment and then went slowly off, dragging behind him a bit of rope he had acquired in another street. He continued to investigate the new scenes. The people and houses struck him with interest as would flowers and trees. Passengers had to avoid the small, absorbed figure in the middle of the sidewalk. They glanced at the intent baby face covered with scratches and dust as with scars and powder smoke.

   After a time, the wanderer discovered upon the pavement, a pretty child in fine clothes playing with a toy. It was a tiny fire engine painted brilliantly in crimson and gold. The wheels rattled as its small owner dragged it uproariously about by means of a string. The babe with his bit of rope trailing behind him paused and regarded the child and the toy. For a long while he remained motionless, save for his eyes, which followed all movements of the glittering thing.

Stephen Crane: The Open Boat

None of them knew the color of the sky. Their eyes glanced level, and were fastened upon the waves that swept toward them. These waves were of the hue of slate, save for the tops, which were of foaming white, and all of the men knew the colors of the sea. The horizon narrowed and widened, and dipped and rose, and at all times its edge was jagged with waves that seemed thrust up in points like rocks. Many a man ought to have a bath-tub larger than the boat which here rode upon the sea. These waves were most wrongfully and barbarously abrupt and tall, and each froth-top was a problem in small-boat navigation.

The cook squatted in the bottom and looked with both eyes at the six inches of gunwale which separated him from the ocean. His sleeves were rolled over his fat forearms, and the two flaps of his unbuttoned vest dangled as he bent to bail out the boat. Often he said: "Gawd! That was a narrow clip." As he remarked it he invariably gazed eastward over the broken sea.

The oiler, steering with one of the two oars in the boat, sometimes raised himself suddenly to keep clear of water that swirled in over the stern. It was a thin little oar and it seemed often ready to snap.

The correspondent, pulling at the other oar, watched the waves and wondered why he was there.

The injured captain, lying in the bow, was at this time buried in that profound dejection and indifference which comes, temporarily at least, to even the bravest and most enduring when, willy nilly, the firm fails, the army loses, the ship goes down. The mind of the master of a vessel is rooted deep in the timbers of her, though he commanded for a day or a decade, and this captain had on him the stern impression of a scene in the greys of dawn of seven turned faces, and later a stump of a top-mast with a white ball on it that slashed to and fro at the waves, went low and lower, and down. Thereafter there was something strange in his voice. Although steady, it was, deep with mourning, and of a quality beyond oration or tears.

"Keep 'er a little more south, Billie," said he.

Stephen Crane: The blue hotel

I

The Palace Hotel at Fort Romper was painted a light blue, a shade that is on the legs of a kind of heron, causing the bird to declare its position against any background. The Palace Hotel, then, was always screaming and howling in a way that made the dazzling winter landscape of Nebraska seem only a gray swampish hush. It stood alone on the prairie, and when the snow was falling the town two hundred yards away was not visible. But when the traveler alighted at the railway station he was obliged to pass the Palace Hotel before he could come upon the company of low clap-board houses which composed Fort Romper, and it was not to be thought that any traveler could pass the Palace Hotel without looking at it. Pat Scully, the proprietor, had proved himself a master of strategy when he chose his paints. It is true that on clear days, when the great trans-continental expresses, long lines of swaying Pullmans, swept through Fort Romper, passengers were overcome at the sight, and the cult that knows the brown-reds and the subdivisions of the dark greens of the East expressed shame, pity, horror, in a laugh. But to the citizens of this prairie town, and to the people who would naturally stop there, Pat Scully had performed a feat. With this opulence and splendor, these creeds, classes, egotisms, that streamed through Romper on the rails day after day, they had no color in common.

As if the displayed delights of such a blue hotel were notnsufficiently enticing, it was Scully's habit to go every morning and evening to meet the leisurely trains that stopped at Romper and work his seductions upon any man that he might see wavering, gripsack in hand.

One morning, when a snow-crusted engine dragged its long string of freight cars and its one passenger coach to the station, Scully nperformed the marvel of catching three men. One was a shaky and quick-eyed Swede, with a great shining cheap valise; one was a tall bronzed cowboy, who was on his way to a ranch near the Dakota line; one was a little silent man from the East, who didn't look it, and didn't announce it. Scully practically made them prisoners. He was so nimble and merry and kindly that each probably felt it would be the height of brutality to try to escape. They trudged off over the creaking board sidewalks in the wake of the eager little Irishman. He wore a heavy fur cap squeezed tightly down on his head. It caused his two red ears to stick out stiffly, as if they were made of tin.