Vincent O'Sullivan: The interval

MRS. WILTON passed through a little alley leading from one of the gates which are around Regent's Park, and came out on the wide and quiet street. She walked along slowly, peering anxiously from side to side so as not to overlook the number. She pulled her furs closer round her; after her years in India this London damp seemed very harsh. Still, it was not a fog to-day. A dense haze, gray and tinged ruddy, lay between the houses, sometimes blowing with a little wet kiss against the face. Mrs. Wilton's hair and eyelashes and her furs were powdered with tiny drops. But there was nothing in the weather to blur the sight; she could see the faces of people some distance off and read the signs on the shops.

Before the door of a dealer in antiques and second-hand furniture she paused and looked through the shabby uncleaned window at an unassorted heap of things, many of them of great value. She read the Polish name fastened on the pane in white letters.

"Yes; this is the place."

She opened the door, which met her entrance with an ill-tempered jangle. From somewhere in the black depths of the shop the dealer came forward. He had a clammy white face, with a sparse black beard, and wore a skull cap and spectacles. Mrs. Wilton spoke to him in a low voice.

A look of complicity, of cunning, perhaps of irony, passed through the dealer's cynical and sad eyes. But he bowed gravely and respectfully.

"Yes, she is here, madam. Whether she will see you or not I do not know. She is not always well; she has her moods. And then, we have to be so careful. The police —— Not that they would touch a lady like you. But the poor alien has not much chance these days."

Mrs. Wilton followed him to the back of the shop, where there was a winding staircase. She knocked over a few things in her passage and stooped to pick them up, but the dealer kept muttering, "It does not matter — surely it does not matter." He lit a candle.

"You must go up these stairs. They are very dark; be careful. When you come to a door, open it and go straight in."

He stood at the foot of the stairs holding the light high above his head and she ascended.

The room was not very large, and it seemed very ordinary. There were some flimsy, uncomfortable chairs in gilt and red. Two large palms were in corners. Under a glass cover on the table was a view of Rome. The room had not a business-like look, thought Mrs. Wilton; there was no suggestion of the office or waiting-room where people came and went all day; yet you would not say that it was a private room which was lived in. There were no books or papers about; every chair was in the place it had been placed when the room was last swept; there was no fire and it was very cold.

Vincent O'Sullivan: The Business of Madame Jahn

How we all stared, how frightened we all were, how we passed opinions, on that morning when Gustave Herbout was found swinging by the neck from the ceiling of his bedroom. The whole Faubourg, even the ancient folk who had not felt a street under them for years, turned out and stood gaping at the house with amazement and loud conjecture. For why should Gustave Herbout, of all men, take to the rope? Only last week he had inherited all the money of his aunt, Madame Jahn, together with her house and the shop with the five assistants, and life looked fair enough for him. No; clearly it was not wise of Gustave to hang himself!

Besides, his aunt's death had happened at a time when Gustave was in sore straits for money. To be sure, he had his salary from the bank in which he worked; but what is a mere salary to one who (like Gustave) threw off the clerkly habit when working hours were over to assume the dress and lounge of the accustomed boulevardier: while he would relate to obsequious friends vague but satisfactory stories of a Russian Prince who was his uncle, and of an extremely rich English lady to whose death he looked forward with hope. Alas! with a clerk's salary one cannot make much of a figure in Paris. It took all of that, and more, to maintain the renown he had gained among his acquaintance of having to his own a certain little lady with yellow hair who danced divinely. So he was forced to depend on the presents which Madame Jahn gave him from time to time; and for those presents he had to pay his aunt a most sedulous and irksome attention. At times, when he was almost sick from his craving for the boulevard, the café, the theatre, he would have to repair as the day grew to an end, to our Faubourg, and the house behind the shop, where he would sit to an old-fashioned supper with his aunt, and listen With a sort of dull impatience while she asked him when he had last been at Confession, and told him long dreary stories of his dead father and mother. Punctually at nine o'clock the deaf servant, who was the only person besides Madame Jahn that lived in the house, would let in the fat old priest, who came for his game of dominoes, and betake herself to bed. Then the dominoes would begin, and with them the old man's prattle which Gustave knew so well: about his daily work, about the uselessness of all things here on earth, and the happiness and glory of the Kingdom of Heaven; and, of course, our boulevardier noticed, with the usual cheap sneer of the modern, that whilst the priest talked of the Kingdom of Heaven he yet showed the greatest anxiety if he had symptoms of a cold, or any other petty malady. However, Gustave would sit there with a hypocrite's grin and inwardly raging, till the clock chimed eleven. At that hour Madame Jahn would rise, and, if she was pleased with her nephew, would go over to her writing-desk and give him, with a rather pretty air of concealment from the priest, perhaps fifty or a hundred francs. Whereupon Gustave would bid her a manifestly affectionate good-night! and depart in the company of the priest. As soon as he could get rid of the priest, he would hasten to his favourite cafés, to discover that all the people worth seeing had long since grown tired of waiting and had departed on their own affairs. The money, indeed, was a kind of consolation; but then there were nights when he did not get a sou. Ah! they amuse themselves in Paris, but not in this way — this is not amusing.

One cannot live a proper life upon a salary and an occasional gift of fifty or a hundred francs. And it is not entertaining to tell men that your uncle, the Prince at Moscow, is in a sorry case, and even now lies a-dying, or that the rich English lady is in the grip of a vile consumption and is momently expected to succumb, if these men only shove up their shoulders, wink at one another, and continue to present their bills. Further, the little Mademoiselle with yellow hair had lately shown signs of a very pretty temper, because her usual flowers and bon-bons were not apparent. So, since things were come to this dismal pass, Gustave fell to attending the race-meetings at Chantilly. During the first week Gustave won largely, for that is sometimes the way with ignorant men: during that week, too, the little Mademoiselle was charming, for she had her bouquets and boxes of bon-bons. But the next week Gustave lost heavily, for that is also very often the way with ignorant men: and he was thrown into the blackest despair, when one night at a place where he used to sup, Mademoiselle took the arm of a great fellow whom he much suspected to be a German, and tossed him a scornful nod as she went off.

On the evening after this happened, he was standing between five and six o'clock, in the Place de la Madeleine, blowing on his fingers and trying to plan his next move, when he heard his name called by a familiar voice, and turned to face his aunt's adviser, the priest.

Vincent O'Sullivan: The Bargain Of Rupert Orange

The marvel is, that the memory of Rupert Orange, whose name was a signal for chatter amongst people both in Europe and America not many years ago, has now almost died out. Even in New York where he was born, and where the facts of his secret and mysterious life were most discussed, he is quite forgotten. At times, indeed, some old lady will whisper to you at dinner , that a certain young man reminds her of Rupert Orange, only he is not so handsome; but she is one of those who keep the mere incidents of their past much more brightly polished than the important things of their present. The men who worshipped him, who copied his clothes, his walk, his mode of pronouncing words, and his manner of saying things, stare vaguely when he is mentioned. And the other day at a well-known club I was having some general talk with a man whose black hair is shot with white, when he exclaimed somewhat suddenly: "How little one hears about Rupert Orange now!" and then added: "I wonder what became of him?" As to the first part of this speech I kept my mouth resolutely shut; for how could I deny his saying, since I had lately seen a weed-covered grave with the early moss growing into the letters on the headstone? As to the second part, it is now my business to set forth the answer to that: and I think when the fire begins to blaze it will lighten certain recollections which have become dark. Of course, there are numberless people who never heard the story of Rupert Orange; but there are also crowds of men and women who followed his brilliant life with intense interest, while his shameful death will be in many a one's remembrance.

The knowledge of this case I got over a year ago; and I would have written then, had my hands been free. But there has recently died at Vienna the Countess de Volnay, whose notorious connection with Orange was at one time the subject of every man's bruit. Her I met two years since in Paris, where she was living like a work-woman. I learned that she had sold her house, and her goods she had given to the poor. She was still a remarkable woman, though her great beauty had faded, and despite a restless, terrified manner, which gave one the monstrous idea that she always felt the devil looking over her shoulder. Her hair was white as paper, and yet she was far from the age when women cease to grin in ball-rooms. A great fear seemed to have sprung to her face and been paralyzed there: a fear which could be detected in her shaking voice. It was from her that I learned certain primary facts of this narration; and she cried to me not to publish them till I heard of her death — as a man on the gallows sometimes asks the hangman not to adjust the noose too tight round his neck. I am altogether sure that what Orange himself told her, he never told any one else. I wish I had her running tongue instead of my slow pen, and then I would not be writing slovenly and clumsily, doubtless, for the relation; vainly, I am afraid, for the moral.

Now Rupert Orange lived with his aunt in New York till he was twenty-four years old, and when she died, leaving her entire estate to him, a furious contest arose over the will. Principal in the contest was Mrs. Annice, the wife of a discarded nephew; and she prosecuted the cause with the pertinacity and virulence which we often find in women of thirty. So good a pursuivant did she prove, that she and her husband leaped suddenly from indigence to great wealth: for the Court declared that the old lady had died lunatic; that she had been unduly influenced; and, that consequently her testament was void. But this decision, which raised them up, brought Rupert to the ground. There is no worse fall than the fall of a man from opulence to poverty; and Rupert, after his luxurious rearing, had to undergo this fall. Yet he had the vigour and confidence of the young. His little verses and sonnets had been praised when he was an amateur; now he undertook to make his pen a breadwinner — with the direst results. At first, nothing would do him but the great magazines; and from these, week after week, he received back his really clever articles, accompanied by cold refusals. Then for months he hung about the offices of every outcast paper, waiting for the editor. When at length the editor did come, he generally told Rupert that he had promised all his outlying work to some bar-room acquaintance. So push by push he was brought to his knees; and finally he dared not walk out till nightfall, for fear some of those who knew him in prosperity might witness his destitution.

Vincent O'Sullivan: Master if Fallen Years

Several years ago, I was intimately acquainted with a young man named Augustus Barber. He was employed in a paper-box manufacturer's business in the city of London. I never heard what his father was. His mother was a widow and lived, I think, at Godalming; but of this I am not sure. It is odd enough that I should have forgotten where she lived, for my friend was always talking about her. Sometimes he seemed immensely fond of her; at other times almost to hate her; but whichever it was, he never left her long out of his conversation. I believe the reason I forget is that he talked so much about her that I failed at last to pay attention to what he said.

He was a stocky young man, with light-coloured hair and a pale, rather blotchy complexion. There was nothing at all extraordinary about him on either the material or spiritual side. He had rather a weakness for gaudy ties and socks and jewelry. His manners were a little boisterous; his conversation, altogether personal. He had received some training at a commercial school. He read little else than the newspapers. The only book I ever knew him to read was a novel of Stevenson's, which he said was "too hot for blisters."

Where, then, in this very commonplace young man, were hidden the elements of the extraordinary actions and happenings I am about to relate? Various theories offer; it is hard to decide. Doctors, psychologists whom I have consulted, have given different opinions; but upon one point they have all agreed—that I am not able to supply enough information about his ancestry. And, in fact, I know hardly anything about that.

This is not, either, because he was uncommunicative. As I say, he used to talk a lot about his mother. But he did not really inspire enough interest for anybody to take an interest in his affairs. He was there; he was a pleasant enough fellow; but when he had gone you were finished with him till the next time. If he did not look you up, it would never occur to you to go and see him. And as to what became of him when he was out of sight, or how he lived—all that, somehow, never troubled our heads.

What illustrates this is that when he had a severe illness a few years after I came to know him, so little impression did it make on anyone that I cannot now say, and nobody else seems able to remember, what the nature of the illness was. But I remember that he was very ill indeed; and one day, meeting one of his fellow clerks in Cheapside, he told me that Barber's death was only a question of hours. But he recovered, after being, as I heard, for a long time in a state of lethargy which looked mortal.

It was when he was out again that I—and not only myself but others—noticed for the first time that his character was changing. He had always been a laughing, undecided sort of person; he had a facile laugh for everything; he would meet you and begin laughing before there was anything to laugh at. This was certainly harmless, and he had a deserved reputation for good humor.

But his manners now became subject to strange fluctuations, which were very objectionable while they lasted. He would be overtaken with fits of sullenness in company; at times he was violent. He took to rambling in strange places at night, and more than once he appeared at his office in a very battered condition. It is difficult not to think that he provoked the rows he got into himself. One good thing was that the impulses which drove him to do such actions were violent rather than enduring; in fact, I often thought that if the force and emotion of these bouts ever came to last longer, he would be a very dangerous character. This was not only my opinion; it was the opinion of a number of respectable people who knew him as well as I did.

Vincent O'Sullivan: When I was dead

"And yet my heart
Will not confess he owes the malady
That doth my life besiege."
All's Well that Ends Well

That was the worst of Ravenel Hall. The passages were long and gloomy, the rooms were musty and dull, even the pictures were sombre and their subjects dire. On an autumn evening, when the wind soughed and ailed through the trees in the park, and the dead leaves whistled and chattered, while the rain clamoured at the windows, small wonder that folks with gentle nerves went a-straying in their wits! An acute nervous system is a grievous burthen on the deck of a yacht under sunlit skies: at Ravenel the chain of nerves was prone to clash and jangle a funeral march. Nerves must be pampered in a tea-drinking community; and the ghost that your grandfather, with a skinful of port, could face and never tremble, sets you, in your sobriety, sweating and shivering; or, becoming scared (poor ghost!) of your bulged eyes and dropping jaw, he quenches expectation by not appearing at all. So I am left to conclude that it was tea which made my acquaintance afraid to stay at Ravenel. Even Wilvern gave over; and as he is in the Guards, and a polo player his nerves ought to be strong enough. On the night before he went I was explaining to him my theory, that if you place some drops of human blood near you, and then concentrate your thoughts, you will after a while see before you a man or a woman who will stay with you during long hours of the night, and even meet you at unexpected places during the day. I was explaining this theory, I repeat, when he interrupted me with words, senseless enough, which sent me fencing and parrying strangers, — on my guard.

"I say, Alistair, my dear chap!" he began, "you ought to get out of this place and go up to Town and knock about a bit — you really ought, you know."

"Yes," I replied, "and get poisoned at the hotels by bad food and at the clubs by bad talk, I suppose. No, thank you: and let me say that your care for my health enervates me."

"Well, you can do as you like," says he, rapping with his feet on the floor. "I'm hanged if I stay here after to-morrow I'll be staring mad if I do!"

He was my last visitor. Some weeks after his departure I was sitting in the library with my drops of blood by me. I had got my theory nearly perfect by this time; but there was one difficulty. The figure which I had ever before me was the figure of an old woman with her hair divided in the middle, and her hair fell to her shoulders, white on one side and black on the other. She as a very complete old woman; but, alas! she was eyeless, and when I tried to construct the eyes she would shrivel and rot in my sight. But to-night I was thinking, thinking, as I had never thought before, and the eyes were just creeping into the head when I heard terrible crash outside as if some heavy substance had fallen. Of a sudden the door was flung open and two maid-servants entered they glanced at the rug under my chair, and at that they turned a sick white, cried on God, and huddled out.