Harlan Ellison: Susan

As she had done every night since they met, she went in bare feet and a cantaloupe-meat-colored nightshift to the shore of the sea of mist, the verge of the ocean of smothering vapor, the edge of the bewildering haze he called the Brim of Obscurity.

Though they spend all their daytime together, at night he chose to sleep alone in a lumpy, Volkswagen-shaped bed at the southernmost boundary of the absolutely lovely forest in which their home had been constructed. There are the border between the verdant woods and the Brim of Obscurity that stretched on forever, a sea of fog that roiled and swirled itself into small, murmuring vortexes from which depths one could occasionally hear something like a human voice pleading for absolution (or at least a backscratcher to relieve this awful itch!), he had made his bed and there, with the night-light from his old nursery, and his old vacuum-tube radio that played nothing but big-band dance music from the 1920s, and a few favorite books, and a little fresh fruit he had picked on his way from the house to his resting-place, he slept peacefully every night. Except for the nightmares, of course.

And as she had done every night for the eight years since they had met, she went barefooted and charmed, down to the edge of the sea of fog to kiss him goodnight. That was their rite.

Before he had even proposed marriage, he explained to her the nature of the problem. Well, the curse, really. Not so much a problem; because a problem was easy to reconcile; just trim a little nub off here; just smooth that plane over there; just let this big dangle here and it will all meet in the center; no, it wasn't barely remotely something that could be called "problem." It was a curse, and he was open about it from the first.

"My nightmares come to life," he had said.

Which remark thereupon initiated quite a long and detailed conversation between them. It went through all the usual stages of good-natured chiding, disbelief, ridicule, short-lived anger at the possibility he was making fun of her, toying with her, on into another kind of disbelief, argument with recourse to logic and Occam's Razor, grudging acceptance, a brief lapse into incredulity, a return to the barest belief, and finally, with trust, acceptance that he was telling her nothing less than the truth. Remarkably (to say the least) his nightmares assumed corporeal shape and stalked the night as he slept, dreaming them up. It wouldn't have been so bad except:

Harlan Ellison: I Have No Mouth, and I Must Scream

Limp, the body of Gorrister hung from the pink palette; unsupported hanging high above us in the computer chamber; and it did not shiver in the chill, oily breeze that blew eternally through the main cavern. The body hung head down, attached to the underside of the palette by the sole of its right foot. It had been drained of blood through a precise incision made from ear to ear under the lantern jaw. There was no blood on the reflective surface of the metal floor.

When Gorrister joined our group and looked up at himself, it was already too late for us to realize that, once again, AM had duped us, had had its fun; it had been a diversion on the part of the machine. Three of us had vomited, turning away from one another in a reflex as ancient as the nausea that had produced it.

Gorrister went white. It was almost as though he had seen a voodoo icon, and was afraid of the future. "Oh, God," he mumbled, and walked away. The three of us followed him after a time, and found him sitting with his back to one of the smaller chittering banks, his head in his hands. Ellen knelt down beside him and stroked his hair. He didn't move, but his voice came out of his covered face quite clearly. "Why doesn't it just do us in and get it over with? Christ, I don't know how much longer I can go on like this."

It was our one hundred and ninth year in the computer.

He was speaking for all of us.

Nimdok (which was the name the machine had forced him to use, because AM amused itself with strange sounds) was hallucinating that there were canned goods in the ice caverns. Gorrister and I were very dubious. "It's another shuck," I told them. "Like the goddam frozen elephant AM sold us. Benny almost went out of his mind over that one. We'll hike all that way and it'll be putrified or some damn thing. I say forget it. Stay here, it'll have to come up with something pretty soon or we'll die."

Benny shrugged. Three days it had been since we'd last eaten. Worms. Thick, ropey.

Nimdok was no more certain. He knew there was the chance, but he was getting thin. It couldn't be any worse there, than here. Colder, but that didn't matter much. Hot, cold, hail, lava, boils or locusts it never mattered: the machine masturbated and we had to take it or die.

Ellen decided us. "I've got to have something, Ted. Maybe there'll be some Bartlett pears or peaches. Please, Ted, let's try it."

I gave in easily. What the hell. Mattered not at all. Ellen was grateful, though. She took me twice out of turn. Even that had ceased to matter. And she never came, so why bother? But the machine giggled every time we did it. Loud, up there, back there, all around us, he snickered. It snickered. Most of the time I thought of AM as it, without a soul; but the rest of the time I thought of it as him, in the masculine the paternal the patriarchal for he is a jealous people. Him. It. God as Daddy the Deranged.

Harlan Ellison: He Who Grew Up Reading Sherlock Holmes

A bad thing had happened. No, a “Bad Thing” had happened. A man in Fremont, Nebraska cheated an honest old lady, and no one seemed able to make him retract his deed to set things right. It went on helplessly for the old lady for more than forty years. Then, one day, she told a friend. Now I will tell you a story. Or a true anecdote. For those who wish this to be “a story I never wrote,” have at it; for those who choose to believe that I am recounting a Real Life Anecdote, I’m down with that, equally: your choice.

Once upon a time, not so long ago…

A man in an 8th floor apartment in New York City lay in his bed, asleep. The telephone beside him rang. It was a standard 20th Century instrument, not a hand-held device. It was very late at night, almost morning, but the sun had not yet risen over the decoupage skyline of Manhattan. The telephone rang again.

He reached across from under the sheet and picked up the phone. A deep male voice at the other end said, very slowly and distinctly, “Are you awake?”

“Huh?”

“Are you awake enough to hear me?”

“Whuh? Whozizz?”

“Are your bedroom windows open…or shut?”

“Whuh?”

“Look at the curtains!”

“Whuh…whaddaya…”

“Sit up and look at the curtains. Are they moving?”

“I…uh…”

“Look!”

The man’s three-room apartment was on an airshaft in mid-Manhattan. It was in the Fall, and cold. The windows in his bedroom were tightly closed to shutter out the noises from the lower apartments and the street below. The curtains were drawn. He slumped up slightly, and looked at the curtain nearest him. It was swaying slightly. There was no breeze.

He said nothing into the phone. Silence came across the wire to him. Dark silence.

Harlan Ellison - Robert Silverberg: The Song The Zombie Sang

From the fourth balcony of the Los Angeles Music Center the stage was little more than a brilliant blur of constantly changing chromatics—stabs of bright green, looping whorls of crimson. But Rhoda preferred to sit up there. She had no use for the Golden Horseshoe seats, buoyed on their grab-grav plates, bobbling loosely just beyond the fluted lip of the stage. Down there the sound flew off, flew up and away, carried by the remarkable acoustics of the Center's Takamuri dome. The colors were important, but it was the sound that really mattered, the patterns of resonance bursting from the hundred quivering outputs of the ultracembalo.

And if you sat below, you had the vibrations of the people down there—

She was hardly naive enough to think that the poverty that sent students up to the top was more ennobling than the wealth that permitted access to a Horseshoe; yet even though she had never actually sat through an entire concert down there, she could not deny that music heard from the fourth balcony was purer, more affecting, lasted longer in the memory. Perhaps it was the vibrations of the rich.

Arms folded on the railing of the balcony, she stared down at the rippling play of colors that washed the sprawling proscenium. Dimly she was aware that the man at her side was saying something. Somehow responding didn't seem important. Finally he nudged her, and she turned to him. A faint, mechanical smile crossed her face. «What is it, Laddy?»