Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

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Showing posts with label Frank Belknap Long. Show all posts
Showing posts with label Frank Belknap Long. Show all posts

Frank Belknap Long: The calm man



Sally Anders had never really thought of herself as a wallflower. A girl could be shy, couldn't she, and still be pretty enough to attract and hold men?

Only this morning she had drawn an admiring look from the milkman and a wolf cry from Jimmy on the corner, with his newspapers and shiny new bike. What if the milkman was crowding sixty and wore thick-lensed glasses? What if Jimmy was only seventeen?

A male was a male, and a glance was a glance. Why, if I just primp a little more, Sally told herself, I'll be irresistible.

Hair ribbons and perfume, a mirror tilted at just the right angle, an invitation to a party on the dresser—what more did a girl need?

"Dinner, Sally!" came echoing up from the kitchen. "Do you want to be late, child?"

Sally had no intention of being late. Tonight she'd see him across a crowded room and her heart would skip a beat. He'd look at her and smile, and come straight toward her with his shoulders squared.

There was always one night in a girl's life that stands above all other nights. One night when the moon shone bright and clear and the clock on the wall went tick tock, tick tock, tick tock. One night when each tick said, "You're beautiful! Really beautiful!"

Giving her hair a final pat Sally smiled at herself in the mirror.

Frank Belknap Long: The Man with a Thousand Legs




1. Statement of Horace Randall, Psychoanalyst

SOMEONE rapped loudly on the door of my bedroom. It was past midnight but I had been unable to sleep and I welcomed the disturbance.

“Who’s there?” I asked.

“A young man what insists on being admitted, sir,” replied the raucous voice of my housekeeper. “A young man — and very thin and pale he is, sir— what says he’s business what won’t wait. ‘He’s in bed,’ I says, but then he says as how you’re the only doctor what can help him now. He says as how he hasn’t slept or ate for a week, and he ain’t nothing but a boy, sir!”

“Tell him he can come in,” I replied as I slid into my dressing gown and reached for a cigar.

The door opened to admit a thin shaft of light and a young man so incredibly emaciated that I stared at him in horror. He was six feet tall and extremely broad-shouldered, but I don’t think he weighed one hundred pounds. As he approached me he staggered and leaned against the wall for support. His eyes fairly blazed. It was obvious that some tremendous idea swayed him. I gently indicated a chair and he collapsed into it.

For a moment he sat and surveyed me. When I offered him a cigar he brushed it aside with a gesture of contempt.

“Why should I poison my body with such things?” he snapped. “Tobacco is for weaklings and children.”

I studied him curiously. He was apparently an extraordinary young man. His forehead was high and broad, his nose was curved like a scimitar, and his lips were so tightly compressed that only a thin line indicated his mouth.

Frank Belknap Long: The Space-Eaters

Frank Belknap Long


The cross is not a passive agent. It protects the pure of heart, and it has often appeared in the air above our sabbats, confusing and dispersing the powers of Darkness. —John Dee's Necronomicon



I


The horror came to Partridgeville in a blind fog.
All that afternoon thick vapors from the sea had swirled and eddied about the farm, and the room in which we sat swam with moisture. The fog ascended in spirals from beneath the door, and its long, moist fingers caressed my hair until it dripped. The square-paned windows were coated with a thick, dewlike moisture; the air was heavy and dank and unbelievably cold.
I stared gloomily at my friend. He had turned his back to the window and was writing furiously. He was a tall, slim man with a slight stoop and abnormally broad shoulders. In profile his face was impressive. He had an extremely broad forehead, long nose, and slightly protuberant chin—a strong, sensitive face which suggested a wildly imaginative nature held in restraint by a skeptical and truly extraordinary intellect.
My friend wrote short stories. He wrote to please himself, in defiance of contemporary taste, and his tales were unusual. They would have delighted Poe; they would have delighted Hawthorne, or Ambrose Bierce, or Villiers de l'Isle-Adam. They were studies of abnormal men, abnormal beasts, abnormal plants. He wrote of remote realms of imagination and horror, and the colors, sounds, and odors which he dared to evoke were never seen, heard, or smelt on the familiar side of the moon. He projected his creations against mind-chilling backgrounds. They stalked through tall and lonely forests, over ragged mountains, and slithered down the stairs of ancient houses, and between the piles of rotting black wharves.

Frank Belknap Long: The Hounds of Tindalos




I'm glad you came," said Chalmers. He was sitting by the window and his face was very pale. Two tall candles guttered at his elbow and cast a sickly amber light over his long nose and slightly receding chin. Chalmers would have nothing modern about his apartment. He had the soul of a mediaeval ascetic, and he preferred illuminated manuscripts to automobiles, and leering stone gargoyles to radios and adding-machines.
As I crossed the room to the settee he had cleared for me I glanced at his desk and was surprised to discover that he had been studying the mathematical formulae of a celebrated contemporary physicist, and that he had covered many sheets of thin yellow paper with curious geometric designs. "Einstein and John Dee are strange bedfellows," I said as my gaze wandered from his mathematical charts to the sixty or seventy quaint books that comprised his strange little library. Plotinus and Emanuel Moscopulus, St. Thomas Aquinas and Frenicle de Bessy stood elbow to elbow in the somber ebony bookcase, and chairs, table and desk were littered with pamphlets about mediaeval sorcery and witchcraft and black magic, and all of the valiant glamorous things that the modern world has repudiated.
Chalmers smiled engagingly, and passed me a Russian cigarette on a curiously carved tray. "We are just discovering now," he said, "that the old alchemists and sorcerers were two-thirds right, and that your modern biologist and materialist is nine-tenths wrong."

Tales of Mystery and Imagination