Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

Las imágenes han sido obtenidas de la red y son de dominio público. No obstante, si alguien tiene derecho reservado sobre alguna de ellas y se siente perjudicado por su publicación, por favor, no dude en comunicárnoslo.

Showing posts with label Bram Stoker. Show all posts
Showing posts with label Bram Stoker. Show all posts

Bram Stoker: The Man From Shorrox

Bram Stoker, The Man From Shorrox, Relatos de misterio, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Salomé Guadalupe Ingelmo



Throth, yer ’ann’rs, I’ll tell ye wid pleasure; though, trooth to tell, it’s only poor wurrk telling the same shtory over an’ over agin. But I niver object to tell it to rale gintlemin, like yer ’ann’rs, what don’t forget that a poor man has a mouth on to him as much as Creeshus himself has.

The place was a market town in Kilkenny—or maybe King’s County or Queen’s County. At all evints, it was wan of them counties what Cromwell—bad cess to him!—gev his name to. An’ the house was called after him that was the Lord Liftinint an’ invinted the polis—God forgive him! It was kep’ be a man iv the name iv Misther Mickey Byrne an’ his good lady—at laste it was till wan dark night whin the bhoys mistuk him for another gindeman, an unknown man, what had bought a contagious property—mind ye the impidence iv him. Mickey was comin’ back from the Curragh Races wid his skin that tight wid the full of the whiskey inside of him that he couldn’t open his eyes to see what was goin’ on, or his mouth to set the bhoys right afther he had got the first tap on the head wid wan of the blackthorns what they done such jobs wid. The poor bhoys was that full of sorra for their


mishap whin they brung him home to his widdy that the crather hadn’t the hearrt to be too sevare on thim. At the first iv course she was wroth, bein’ only a woman afther all, an’ weemun not bein’ gave to rayson like nun is. Millia murdher! but for a bit she was like a madwoman, and was nigh to have cut the heads from affav thim wid the mate chopper, till, seein’ thim so white and quite, she all at wance flung down the chopper an’ knelt down be the corp.

‘Lave me to me dead,’ she sez. ‘Oh mm! it’s no use more people nor is needful bein’ made unhappy over this night’s terrible wurrk. Mick Byrne would have no man worse for him whin he was living, and he’ll have harm to none for his death! Now go; an’, oh bhoys, be dacent and quite, an’ don’t thry a poor widdied sowl too hard!’

Well, afther that she made no change in things ginerally, but kep’ on the hotel jist the same; an’ whin some iv her friends wanted her to get help, she only sez: ‘Mick an’ me run this house well enough; an’ whin I’m thinkin’ of takun’ help I’ll tell yez. I’ll go on be meself, as I mane to, till Mick an’ me comes together agun.’

An’, sure enough, the ould place wint on jist the same, though, more betoken, there wasn’t Mick wid his shillelagh to kape the pace whin things got pretty hot on fair nights, an’ in the gran’ ould election times, when heads was bruk like eggs—glory be to God!

Bram Stoker: The Red Stockade

Bram Stoker, The Red Stockade, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Science Fiction Short Stories, Historias de ciencia ficcion


We was on the southern part of the China station, when the "George Ranger" was ordered to the Straits of Malacca, to put down the pirates that had been showing themselves of late. It was in the forties, when ships was ships, not iron-kettles full of wheels, and other devilments, and there was a chance of hand-to-hand fighting - not being blown up in an iron cellar by you don't know who. Ships was ships in them days!

There had been a lot of throat-cutting and scuttling, for them devils stopped at nothing. Some of us had been through the straits before, when we was in the "Polly Phemus," seventy-four, going to the China station, and although we had never come to quarters with the Malays, we had seen some of their work, and knew what kind they was. So, when we had left Singapore in the "George Ranger," for that was our saucy, little thirty-eight-gun frigate, - the place wasn't in them days what it is now, - many and many 's the yarn was told in the fo'c'sle, and on the watches, of what the yellow devils could do, and had done. Some of us took it one way, and some another, but all, save a few, wanted to get into hand-grips with the pirates, for all their kreeses, and their stinkpots, and the devil's engines what they used. There was some that didn't mind cold steel of an ordinary kind, and would have faced cutlasses and boarding-pikes, any day, for a holiday, but that didn't like the idea of those knives like crooked flames, and that sliced a man in two, and hacked through the bowels of him. Naturally, we didn't take much stock of this kind; and many's the joke we had on them, and some of them cruel enough jokes, too.

You may be sure there was good stories, with plenty of cutting, and blood, and tortures in them, told in their watches, and nigh the whole ship's crew was busy, day and night, remembering and inventing things that'd make them gasp and grow white. I think that, somehow, the captain and the officers must have known what was goin' on, for there came tales from the ward-room that was worse nor any of ours. The midshipmen used to delight in them, like the ship's boys did, and one of them, that had a kreese, used to bring it out when he could, and show how the pirates used it when they cut the hearts out of men and women, and ripped them up to the chins. It was a bit cruel, at times, on them poor, white-livered chaps, - a man can't help his liver, I suppose, - but, anyhow, there's no place for them in a warship, for they're apt to do more harm by living where there's men of all sorts, than they can do by dying. So there wasn't any mercy for them, and the captain was worse on them than any. Captain Wynyard was him that commanded the corvette "Sentinel" on the China station, and was promoted to the "George Ranger" for cutting up a fleet of junks that was hammering at the "Rajah," from Canton, racing for Southampton with the first of the season's tea. He was a man, if you like, a bulldog full of hellfire, when he was on for fighting; he wouldn't have a white liver at any price. "God hates a coward," he said once, "and under Her Britannic Majesty I'm here to carry out God's will. Trice him up, and give him a dozen!" At least, that's the story they tell of him when he was round Shanghai, and one of his men had held back when the time came for boarding a fire-junk that was coming down the tide. And with that he went in, and steered her off with his own hands.

Well, the captain knew what work there was before us, and that it weren't no time for kid gloves and hair-oil, much less a bokey in your buttonhole and a top-hat, and he didn't mean that there should be any funk on his ship. So you take your davy that it wasn't his fault if things was made too pleasant aboard for men what feared fallin' into the clutches of the Malays.

Now and then he went out of his way to be nasty over such folk, and, boy or man, he never checked his tongue on a hard word when any one's face was pale before him. There was one old chap on board that we called "Old Land's End," for he came from that part, and that had a boy of his on the "Billy Ruffian," when he sailed on her, and after got lost, one night, in cutting out a Greek sloop at Navarino, in 1827. We used to chaff him when there was trouble with any of the boys, for he used to say that his boy might have been in that trouble, too. And now, when the chaff was on about bein' afeered of the Malay's, we used to rub it into the old man; but he would flame up, and answer us that his boy died in his duty, and that he couldn't be afeered of nought.

Bram Stoker: Crooken Sands

Bram Stoker



Mr. Arthur Fernlee Markam, who took what was known as the Red House above the Mains of Crooken, was a London merchant, and being essentially a cockney, thought it necessary when he went for the summer holidays to Scotland to provide an entire rig-out as a Highland chieftain, as manifested in chromolithographs and on the music-hall stage. He had once seen in the Empire the Great Prince-"The Bounder King"-bring down the house by appearing as "The MacSlogan of that Ilk," and singing the celebrated Scotch song.
"There's naething like haggis to mak a mon dry!" and he had ever since preserved in his mind a faithful image of the picturesque and warlike appearance which he presented. Indeed, if the true inwardness of Mr. Markam's mind on the subject of his selection of Aberdeenshire as a summer resort were known, it would be found that in the foreground of the holiday locality which his fancy painted stalked the many hued figure of the MacSlogan of that Ilk. However, be this as it may, a very kind fortune-certainly so far as external beauty was concerned-led him to the choice of Crooken Bay. It is a lovely spot, between Aberdeen and Peterhead, just under the rock-bound headland whence the long, dangerous reefs known as The Spurs run out into the North Sea. Between this and the "Mains of Crooken"-a village sheltered by the northern cliffs-lies the deep bay, backed with a multitude of bent-grown dunes where the rabbits are to be found in thousands. Thus at either end of the bay is a rocky promontory, and when the dawn or the sunset falls on the rocks of red syenite the effect is very lovely. The bay itself is floored with level sand and the tide runs far out, leaving a smooth waste of hard sand on which are dotted here and there the stake nets and bag nets of the salmon fishers. At one end of the bay there is a little group or cluster of rocks whose heads are raised something above high water, except when in rough weather the waves come over them green. At low tide they are exposed down to sand level; and here is perhaps the only little bit of dangerous sand on this part of the eastern coast. Between the rocks, which are apart about some fifty feet, is a small quicksand, which, like the Goodwins, is dangerous only with the incoming tide. It extends outwards till it is lost in the sea, and inwards till it fades away in the hard sand of the upper beach. On the slope of the hill which rises beyond the dunes, midway between the Spurs and the Port of Crooken, is the Red House. It rises from the midst of a clump of fir-trees which protect it on three sides, leaving the whole sea front open. A trim, old-fashioned garden stretches down to the roadway, on crossing which a grassy path, which can be used for light vehicles, threads a way to the shore, winding amongst the sand hills.

When the Markam family arrived at the Red House after their thirty-six hours of pitching on the Aberdeen steamer Ban Righ from Blackwall, with the subsequent train to Yellon and drive of a dozen miles, they all agreed that they had never seen a more delightful spot. The general satisfaction was more marked as at that very time none of the family were, for several reasons, inclined to find favourable anything or any place over the Scottish border. Though the family was a large one, the prosperity of the business allowed them all sorts of personal luxuries, amongst which was a wide latitude in the way of dress. The frequency of the Markam girls' new frocks was a source of envy to their bosom friends and of joy to themselves.

Bram Stoker: A Dream of Red Hands

Bram Stoker



The first opinion given to me regarding Jacob Settle was a simple descriptive statement. "He's a down-in-the-mouth chap": but I found that it embodied the thoughts and ideas of all his fellow-workmen. There was in the phrase a certain easy tolerance, an absence of positive feeling of any kind, rather than any complete opinion, which marked pretty accurately the man's place in public esteem. Still, there was some dissimilarity between this and his appearance which unconsciously set me thinking, and by degrees, as I saw more of the place and the workmen, I came to have a special interest in him. He was, I found, for ever doing kindnesses, not involving money expenses beyond his humble means, but in the manifold ways of forethought and forbearance and self-repression which are of the truer charities of life. Women and children trusted him implicitly, though, strangely enough, he rather shunned them, except when anyone was sick, and then he made his appearance to help if he could, timidly and awkwardly. He led a very solitary life, keeping house by himself in a tiny cottage, or rather hut, of one room, far on the edge of the moorland. His existence seemed so sad and solitary that I wished to cheer it up, and for the purpose took the occasion when we had both been sitting up with a child, injured by me through accident, to offer to lend him books. He gladly accepted, and as we parted in the grey of the dawn I felt that something of mutual confidence had been established between us.

The books were always most carefully and punctually returned, and in time Jacob Settle and I became quite friends. Once or twice as I crossed the moorland on Sundays I looked in on him; but on such occasions he was shy and ill at ease so that I felt diffident about calling to see him. He would never under any circumstances come into my own lodgings.

One Sunday afternoon, I was coming back from a long walk beyond the moor, and as I passed Settle's cottage stopped at the door to say "how do you do?" to him. As the door was shut, I thought that he was out, and merely knocked for form's sake, or through habit, not expecting to get any answer. To my surprise, I heard a feeble voice from within, though what was said I could not hear. I entered at once, and found Jacob lying half-dressed upon his bed. He was as pale as death, and the sweat was simply rolling off his face. His hands were unconsciously gripping the bed-clothes as a drowning man holds on to whatever he may grasp. As I came in he half arose, with a wild, hunted look in his eyes, which were wide open and staring, as though something of horror had come before him; but when he recognised me he sank back on the couch with a smothered sob of relief and closed his eyes. I stood by him for a while, quiet a minute or two, while he gasped. Then he opened his eyes and looked at me, but with such a despairing, woeful expression that, as I am a living man, I would have rather seen that frozen look of horror. I sat down beside him and asked after his health. For a while he would not answer me except to say that he was not ill; but then, after scrutinising me closely, he half arose on his elbow and said-

Bram Stoker: A satr trap

Bram Stoker


"When I was apprenticed to theatrical carpentering my master was John Haliday, who was Master Machinist - we called men in his post 'Master Carpenter' in those days - of the old Victoria Theatre, Hulme. It wasn't called Hulme; but that name will do. It would only stir up painful memories if I were to give the real name. I daresay some of you - not the Ladies (this with a gallant bow all round) -
will remember the case of a Harlequin as was killed in an accident in the pantomime. We needn't mention names; Mortimer will do for a name to call him by - Henry Mortimer. The cause of it was never found out. But I knew it; and I've kept silence for so long that I may speak now without hurting anyone. They're all dead long ago that was interested in the death of Henry Mortimer or the man who wrought that death."

"Any of you who know of the case will remember what a handsome, dapper, well-built man Mortimer was. To my own mind he was the handsomest man I ever saw."

The Tragedian's low, grumbling whisper, "That's a large order," sounded a warning note. Hempitch, however, did not seem to hear it, but went on:

"Of course, I was only a boy then, and I hadn't seen any of you gentlemen - Yer very good health, Mr Wellesley Dovercourt, sir, and cettera. I needn't tell you, Ladies, how well a harlequin's dress sets off a nice slim figure. No wonder that in these days of suffragettes, women wants to be harlequins as well as columbines. Though I hope they won't make the columbine a man's part!"

"Mortimer was the nimblest chap at the traps I ever see. He was so sure of hisself that he would have extra weight put on so that when the counter weights fell he'd shoot up five or six feet higher than anyone else could even try to. Moreover, he had a way of drawing up his legs when in the air - the way a frog does when he is swimming - that made his jump look ever so much higher."

Bram Stoker: The secret of growing gold

Bram Stoker, Bram Stoker by  Philip Alexius de László, Spanish portrait, Portrait of Bram Stoker, Bram Stoker drawings, Retrato de Bram Stoker, Paintings of Alejandro Cabeza, Salomé Guadalupe Ingelmo, Ángel Ganivet,  Joaquín Sorolla, Ignacio Pinazo, Julio Peris Brell, José Mongrell, Eugenio Hermoso, Adelardo Covarsi, Cecilio Pla, Antonio Muñoz Degrain, Emilio Sala, Francisco Domingo, José Benlliure, Ramón Casas, Santiago Rusiñol, Ignacio zuloaga, Alejandro Cabeza

Bram Stoker by  Philip Alexius de László

When Margaret Delandre went to live at Brent's Rock the whole neighbourhood awoke to the pleasure of an entirely new scandal. Scandals in connection with either the Delandre family or tie Brents of Brent's Rock, were not few; and if the secret history of the county had been written in full both names would have been found well represented. It is true that the status of each was so different that they might have belonged to different continents — or to different worlds for the matter of that — for hitherto their orbits had never crossed. The Brents were accorded by the whole section of the country a unique social dominance, and had ever held themselves as high above the yeoman class to which Margaret Delandre belonged, as a blue-blooded Spanish hidalgo out-tops his peasant tenantry.

The Delandres had an ancient record and were proud of it in their way as the Brents were of theirs. But the family had never risen above yeomanry and although they had been once well-to-do in the good old times of foreign wars and protection, their fortunes had withered under the scorching of the free trade sun and the "piping times of peace". They had, as the elder members used to assert, "stuck to the land", with the result that they had taken root in it, body and soul. In fact, they, having chosen the life of vegetables, had flourished as vegetation does — blossomed and thrived in the good season and suffered in the bad. Their holding, Dander's Croft, seemed to have been worked out, and to be typical of the family which had inhabited it. The latter had declined generation after generation, sending out now and again some abortive shoot of unsatisfied energy in the shape of a soldier or sailor, who had worked his way to the minor grades of the services and had there stopped, cut short either from unheeding gallantry in action or from that destroying cause to men without breeding or youthful care — the recognition of a position above them which they feel unfitted to fill. So, little by little, the family dropped lower and lower, the men brooding and dissatisfied, and drinking themselves into the grave, the women drudging at home, or marrying beneath them — or worse. In process of time all disappeared, leaving only two in the Croft, Wykham Delandre and his sister Margaret. The man and woman seemed to have inherited in masculine and feminine form respectively the evil tendency of their race, sharing in common the principles, though manifesting them in different ways, of sullen passion, voluptuousness and recklessness.

Bram Stoker: Dracula's Guest

Bram Stoker


When we started for our drive the sun was shining brightly on Munich, and the air was full of the joyousness of early summer. Just as we were about to depart, Herr Delbrück (the maître d'hôtel of the Quatre Saisons, where I was staying) came down, bareheaded, to the carriage and, after wishing me a pleasant drive, said to the coachman, still holding his hand on the handle of the carriage door:

'Remember you are back by nightfall. The sky looks bright but there is a shiver in the north wind that says there may be a sudden storm. But I am sure you will not be late.' Here he smiled, and added, 'for you know what night it is.'

Johann answered with an emphatic, 'Ja, mein Herr,' and, touching his hat, drove off quickly. When we had cleared the town, I said, after signalling to him to stop:

'Tell me, Johann, what is tonight?'

He crossed himself, as he answered laconically: 'Walpurgis nacht.' Then he took out his watch, a great, old-fashioned German silver thing as big as a turnip, and looked at it, with his eyebrows gathered together and a little impatient shrug of his shoulders. I realised that this was his way of respectfully protesting against the unnecessary delay, and sank back in the carriage, merely motioning him to proceed. He started off rapidly, as if to make up for lost time. Every now and then the horses seemed to throw up their heads and sniffed the air suspiciously. On such occasions I often looked round in alarm. The road was pretty bleak, for we were traversing a sort of high, wind-swept plateau. As we drove, I saw a road that looked but little used, and which seemed to dip through a little, winding valley. It looked so inviting that, even at the risk of offending him, I called Johann to stop—and when he had pulled up, I told him I would like to drive down that road. He made all sorts of excuses, and frequently crossed himself as he spoke. This somewhat piqued my curiosity, so I asked him various questions. He answered fencingly, and repeatedly looked at his watch in protest. Finally I said:

Bram Stoker: The Burial of the Rats

Bram Stoker


Leaving Paris by the Orleans road, cross the Enceinte, and, turning to the right, you find yourself in a somewhat wild and not at all savoury district. Right and left, before and behind, on every side rise great heaps of dust and waste accumulated by the process of time.

Paris has its night as well as its day life, and the sojourner who enters his hotel in the Rue de Rivoli or the Rue St. Honore late at night or leaves it early in the morning, can guess, in coming near Montrouge-if he has not done so already-the purpose of those great waggons that look like boilers on wheels which he finds halting everywhere as he passes.

Every city has its peculiar institutions created out of its own needs; and one of the most notable institutions of Paris is its rag-picking population. In the early morning-and Parisian life commences at an early hour-may be seen in most streets standing on the pathway opposite every court and alley and between every few houses, as still in some American cities, even in parts of New York, large wooden boxes into which the domestics or tenement-holders empty the accumulated dust of the past day. Round these boxes gather and pass on, when the work is done, to fresh fields of labour and pastures new, squalid, hungry-looking men and women, the implements of whose craft consist of a coarse bag or basket slung over the shoulder and a little rake with which they turn over and probe and examine in the minutest manner the dustbins. They pick up and deposit in their baskets, by aid of their rakes, whatever they may find, with the same facility as a Chinaman uses his chopsticks.

Paris is a city of centralisation-and centralisation and classification are closely allied. In the early times, when centralisation is becoming a fact, its forerunner is classification. All things which are similar or analogous become grouped together, and from the grouping of groups rises one whole or central point. We see radiating many long arms with innumerable tentaculae, and in the centre rises a gigantic head with a comprehensive brain and keen eyes to look on every side and ears sensitive to hear-and a voracious mouth to swallow.

Bram Stoker: A criminal star

Bram Stoker

'Of course, you all remember Wolseley Gartside -'

    'Rather!' This was from the Tragedian. 'I remember when he took that name. Indeed, I was not pleased with him about it; it clashed with the name I had taken myself - or, rather - ahem! - which my
sponsors took for me at my christening. I consoled myself with the reflection that Wolseley was a later name historically than Wellesley.' The Advance Agent went on:

    'Gartside, like many others who have risen from the ranks - the ranks of his profession - was, well, a wee, tiny bit over-sensitive in matters of public esteem. In fact, he did not like to be neglected -'


    Here the Second Heavies interrupted with a rapidity and acerbity which left an impression that indignation was founded on aggrievement:

    '"Over-sensitive in matters of public esteem!" I like that. He had got the swelled head bad, if that be what you mean. He wanted the earth, he did! The way he hustled other people off the posters was
indecent! And the size of type he clamoured for was an inducement to blindness and an affront to the common sense of an educated community.'
The Advance Agent went on calmly:

   '- did not like to be neglected. This was all bad enough when he was engaged by someone else; but when he was out on his own with nothing to check him except the reports of his treasurer, he became
a holy terror. There wasn't any crowding of names off the bill then; there were simply no names at all. Names of other people, I mean; his name was all right so long as the paper was up to the biggest stands, and the types were the largest to be had in the town. Later on he went even further and had all his printing done in London or New York from types cut special.' The Second Heavies cut in again:

    'No! Mr Wolseley Gartside didn't mean to get neglected so long as there was a public Press to be influenced or a hoarding to be covered.'

    'Exactly!' said the Advance Agent drily. He was beginning to fear that his pitch would be queered by the outpouring of the grievances of the Second Heavies. The professional instinct of the audience made for peace. They were all trained to listen. Mr Alphage seized the opportunity, and went on:

Bram Stoker: The coming of Abel Behenna

Bram Stoker


The little Cornish port of Pencastle was bright in the early April, when the sun had seemingly come to stay after a long and bitter winter. Boldly and blackly the rock stood out against a background of shaded blue, where the sky fading into mist met the far horizon. The sea was of true Cornish hue—sapphire, save where it became deep emerald green in the fathomless depths under the cliffs, where the seal caves opened their grim jaws. On the slopes the grass was parched and brown. The spikes of furze bushes were ashy gray, but the golden yellow of their flowers streamed along the hillside, dipping out in lines as the rock cropped up, and lessening into patches and dots till finally it died away altogether where the sea winds swept round the jutting cliffs and cut short the vegetation as though with an ever-working aerial shears. The whole hillside, with its body of brown and flashes of yellow, was like a colossal yellow-hammer.

The little harbor opened from the sea between towering cliffs, and behind a lonely rock, pierced with many caves and blow-holes through which the sea in storm time sent its thunderous voice, together with a fountain of drifting spume. Hence, it wound westward in a serpentine course, guarded at its entrance by two little curving piers to left and right. These were roughly built of dark slates placed endways and held together with great beams bound with iron bands. Thence it flowed up the rocky bed of the stream whose winter torrents had of old cut out its way amongst the hills. This stream was deep at first, with here and there, where it widened, patches of broken rock exposed at low water, full of holes where crabs and lobsters were to be found at the ebb of the tide. From among the rocks rose sturdy posts, used for warping in the little coasting-vessels which frequented the port. Higher up, the stream still flowed deeply, for the tide ran far inland, but always calmly, for all the force of the wildest storm was broken below.

Bram Stoker: The Dualists

Bram Stoker

There was joy in the house of Bubb.

For ten long years had Ephraim and Sophonisba Bubb mourned in vain the loneliness of their life. Unavailingly had they gazed into the emporia of baby-linen, and fixed their searching glances on the basket-makers' warehouses where the cradles hung in tempting rows. In vain had they prayed, and sighed, and groaned, and wished, and waited, and wept, but never had even a ray of hope been held out by the family physician.

But now at last the wished-for moment had arrived. Month after month had flown by on leaden wings, and the destined days had slowly measured their course. The months had become weeks; the weeks had dwindled down to days; the days had been attenuated to hours; the hours had lapsed into minutes, the minutes had slowly died away, and but seconds remained.

Ephraim Bubb sat cowering on the stairs, and tried with high-strung ears to catch the strain of blissful music from the lips of his first-born. There was silence in the house--silence as of the deadly calm before the cyclone. Ah! Ephraim Bubb, little thinkest thou that another moment may for ever destroy the peaceful, happy course of thy life, and open to thy too-craving eyes the portals of that wondrous land where childhood reigns supreme, and where the tyrant infant with the wave of his tiny hand and the imperious treble of his tiny voice sentences his parent o the deadly vault beneath the castle moat. As the thought strikes thee thou becomest pale. How thou tremblest as thou findest thyself upon the brink of the abyss! Wouldst that thou could recall the past!

Bram Stoker: The Squaw

Bram Stoker, Bram Stoker by Philip Alexius de László, Spanish portrait, Portrait of Bram Stoker, Bram Stoker drawings, Retrato de Bram Stoker, Paintings of Alejandro Cabeza, Salomé Guadalupe Ingelmo, Ángel Ganivet,  Joaquín Sorolla, Ignacio Pinazo, Julio Peris Brell, José Mongrell, Eugenio Hermoso, Adelardo Covarsi, Cecilio Pla, Antonio Muñoz Degrain, Emilio Sala, Francisco Domingo, José Benlliure, Ramón Casas, Santiago Rusiñol, Ignacio zuloaga, Alejandro Cabeza

Bram Stoker by Philip Alexius de László

Nurnberg at the time was not so much exploited as it has been since then. Irving had not been playing Faust, and the very name of the old town was hardly known to the great bulk of the travelling public. My wife and I being in the second week of our honeymoon, naturally wanted someone else to join our party, so that when the cheery stranger, Elias P. Hutcheson, hailing from Isthmian City, Bleeding Gulch, Maple Tree County, Neb. turned up at the station at Frankfort, and casually remarked that he was going on to see the most all-fired old Methuselah of a town in Yurrup, and that he guessed that so much travelling alone was enough to send an intelligent, active citizen into the melancholy ward of a daft house, we took the pretty broad hint and suggested that we should join forces. We found, on comparing notes afterwards, that we had each intended to speak with some diffidence or hesitation so as not to appear too eager, such not being a good compliment to the success of our married life; but the effect was entirely marred by our both beginning to speak at the same instant--stopping simultaneously and then going on together again. Anyhow, no matter how, it was done; and Elias P. Hutcheson became one of our party. Straightway Amelia and I found the pleasant benefit; instead of quarrelling, as we had been doing, we found that the restraining influence of a third party was such that we now took every opportunity of spooning in odd corners. Amelia declares that ever since she has, as the result of that experience, advised all her friends to take a friend on the honeymoon. Well, we 'did' Nurnberg together, and much enjoyed the racy remarks of our Transatlantic friend, who, from his quaint speech and his wonderful stock of adventures, might have stepped out of a novel. We kept for the last object of interest in the city to be visited the Burg, and on the day appointed for the visit strolled round the outer wall of the city by the eastern side.

The Burg is seated on a rock dominating the town and an immensely deep fosse guards it on the northern side. Nurnberg has been happy in that it was never sacked; had it been it would certainly not be so spick and span perfect as it is at present. The ditch has not been used for centuries, and now its base is spread with tea-gardens and orchards, of which some of the trees are of quite respectable growth. As we wandered round the wall, dawdling in the hot July sunshine, we often paused to admire the views spread before us, and in especial the great plain covered with towns and villages and bounded with a blue line of hills, like a landscape of Claude Lorraine. From this we always turned with new delight to the city itself, with its myriad of quaint old gables and acre-wide red roofs dotted with dormer windows, tier upon tier. A little to our right rose the towers of the Burg, and nearer still, standing grim, the Torture Tower, which was, and is, perhaps, the most interesting place in the city. For centuries the tradition of the Iron Virgin of Nurnberg has been handed down as an instance of the horrors of cruelty of which man is capable; we had long looked forward to seeing it; and here at last was its home.

Bram Stoker: The judge's house

Bram Stoker

When the time for his examination drew near Malcolm Malcolmson made up his mind to go somewhere to read by himself. He feared the attractions of the seaside, and also he feared completely rural isolation, for of old he knew its harms, and so he determined to find some unpretentious little town where there would be nothing to distract him. He refrained from asking suggestions from any of his friends, for he argued that each would recommend some place of which he had knowledge, and where he had already acquaintances. As Malcolmson wished to avoid friends he had no wish to encumber himself with the attention of friends' friends, and so he determined to look out for a place for himself. He packed a portmanteau with some clothes and all the books he required, and then took ticket for the first name on the local time-table which he did not know.

When at the end of three hours' journey he alighted at Benchurch, he felt satisfied that he had so far obliterated his tracks as to be sure of having a peaceful opportunity of pursuing his studies. He went straight to the one inn which the sleepy little place contained, and put up for the night. Benchurch was a market town, and once in three weeks was crowded to excess, but for the remainder of the twenty-one days it was as attractive as a desert. Malcolmson looked around the day after his arrival to try to find quarters more isolated than even so quiet an inn as "The Good Traveller" afforded. There was only one place which took his fancy, and it certainly satisfied his wildest ideas regarding quiet; in fact, quiet was not the proper word to apply to it - desolation was the only term conveying any suitable idea of its isolation. It was an old rambling, heavy-built house of the Jacobean style, with heavy gables and windows, unusually small, and set higher than was customary in such houses, and was surrounded with a high brick wall massively built. Indeed, on examination, it looked more like a fortified house than an ordinary dwelling. But all these things pleased Malcolmson. "Here," he thought, "is the very spot I have been looking for, and if I can get opportunity of using it I shall be happy." His joy was increased when he realised beyond doubt that it was not at present inhabited.

From the post-office he got the name of the agent, who was rarely surprised at the application to rent a part of the old house. Mr. Carnford, the local lawyer and agent, was a genial old gentleman, and frankly confessed his delight at anyone being willing to live in the house.

"To tell you the truth," said he, "I should be only too happy, on behalf of the owners, to let anyone have the house rent free for a term of years if only to accustom the people here to see it inhabited. It has been so long empty that some kind of absurd prejudice has grown up about it, and this can be best put down by its occupation - if only," he added with a sly glance at Malcolmson, "by a scholar like yourself, who wants its quiet for a time."

Tales of Mystery and Imagination