Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

Las imágenes han sido obtenidas de la red y son de dominio público. No obstante, si alguien tiene derecho reservado sobre alguna de ellas y se siente perjudicado por su publicación, por favor, no dude en comunicárnoslo.

Showing posts with label Richard Middleton. Show all posts
Showing posts with label Richard Middleton. Show all posts

Richard Middleton: The Coffin Merchant

Richard Middleton, The Coffin Merchant, Tales of mystery, Relatos de terror, Horror stories, Short stories, Science fiction stories, Anthology of horror, Antología de terror, Anthology of mystery, Antología de misterio, Scary stories, Scary Tales, Science Fiction Short Stories, Historias de ciencia ficcion


I

London on a November Sunday inspired Eustace Reynolds with a melancholy too insistent to be ignored and too causeless to be enjoyed. The grey sky overhead between the house-tops, the cold wind round every street-corner, the sad faces of the men and women on the pavements, combined to create an atmosphere of ineloquent misery. Eustace was sensitive to impressions, and in spite of a half-conscious effort to remain a dispassionate spectator of the world's melancholy, he felt the chill of the aimless day creeping over his spirit. Why was there no sun, no warmth, no laughter on the earth? What had become of all the children who keep laughter like a mask on the faces of disillusioned men? The wind blew down Southampton Street, and chilled Eustace to a shiver that passed away in a shudder of disgust at the sombre colour of life. A windy Sunday in London before the lamps are lit, tempts a man to believe in the nobility of work.

At the corner by Charing Cross Telegraph Office a man thrust a handbill under his eyes, but he shook his head impatiently. The blueness of the fingers that offered him the paper was alone sufficient to make him disinclined to remove his hands from his pockets even for an instant. But, the man would not be dismissed so
lightly.

"Excuse me, sir," he said, following him, "you have not looked to see what my bills are."

"Whatever they are I do not want them."

"That's where you are wrong, sir," the man said earnestly. "You will never find life interesting if you do not lie in wait for the unexpected. As a matter of fact, I believe that my bill contains exactly what you do want."

Eustace looked at the man with quick curiosity. His clothes were ragged, and the visible parts of his flesh were blue with cold, but his eyes were bright with intelligence and his speech was that of an educated man. It seemed to Eustace that he was being regarded with a keen expectancy, as though his decision I on the trivial point was of real importance.

"I don't know what you are driving at," he said, "but if it will give you any pleasure I will take one of your bills; though if you argue with all your clients as you have with me, it must take you a long time to get rid of them."

"I only offer them to suitable persons," the man said, folding up one of the handbills while he spoke, "and I'm sure you will not regret taking it," and he slipped the paper into Eustace's hand and walked rapidly away.

Eustace looked after him curiously for a moment, and then opened the paper in his hand. When his eyes comprehended its significance, he gave a low whistle of astonishment. "You will soon be warning a coffin!" it read. "At 606, Gray's Inn Road, your order will be attended to with civility and despatch. Call and see us!!"

Richard Middleton: On the Brighton road



Slowly the sun had climbed up the hard white downs, till it broke with little of the mysterious ritual of dawn upon a sparkling world of snow. There had been a hard frost during the night, and the birds, who hopped about here and there with scant tolerance of life, left no trace of their passage on the silver pavements. In places the sheltered caverns of the hedges broke the monotony of the whiteness that had fallen upon the coloured earth, and overhead the sky melted from orange to deep blue, from deep blue to a blue so pale that it suggested a thin paper screen rather than illimitable space. Across the level fields there came a cold, silent wind which blew a fine dust of snow from the trees, but hardly stirred the crested hedges. Once above the skyline, the sun seemed to climb more quickly, and as it rose higher it began to give out a heat that blended with the keenness of the wind.
It may have been this strange alternation of heat and cold that disturbed the tramp in his dreams, for he struggled for a moment with the snow that covered him, like a man who finds himself twisted uncomfortably in the bed-clothes, and then sat up with staring, questioning eyes.
‘Lord! I thought I was in bed,’ he said to himself as he took in the vacant landscape, ‘and all the while I was out here.’ He stretched his limbs, and, rising carefully to his feet, shook the snow off his body. As he did so the wind set him shivering, and he knew that his bed had been warm.
‘Come, I feel pretty fit,’ he thought. ‘I suppose I am lucky to wake at all in this. Or unlucky—it isn’t much of a business to come back to.’ He looked up and saw the downs shining against the blue like the Alps on a picture-postcard. ‘That means another forty miles or so, I suppose,’ he continued grimly. ‘Lord knows what I did yesterday. Walked till I was done, and now I’m only about twelve miles from Brighton. Damn the snow, damn Brighton, damn everything!’ The sun crept higher and higher, and he started walking patiently along the road with his back turned to the hills.
‘Am I glad or sorry that it was only sleep that took me, glad or sorry, glad or sorry?’ His thoughts seemed to arrange themselves in a metrical accompaniment to the steady thud of his footsteps, and he hardly sought an answer to his question. It was good enough to walk to.

Richard Middleton: The Ghost Ship

Richard Middleton


Fairfield is a little village lying near the Portsmouth Road about halfway between London and the sea. Strangers who find it by accident now and then call it a pretty; old-fashioned place; we who live in it and call it home don't find anything very pretty about it, but we should be sorry to live anywhere else. Our minds have taken the shape of the inn and the church and the green, I suppose. At all events, we never feel comfortable out of Fairfield.

Of course the Cockneys, with their vasty houses and noise-ridden streets, can call us rustics if they choose, but for all that Fairfield is a better place to live in than London. Doctor says that when he goes to London his mind is bruised with the weight of the houses, and he was a Cockney born. He had to live there himself when he was a little chap, but he knows better now.

You gentlemen may laugh—perhaps some of you come from London way—but it seems to me that a witness like that is worth a gallon of arguments.

Dull? Well, you might find it dull, but I assure you that I've listened to all the London yarns you have spun tonight, and they're absolutely nothing to the things that happen at Fairfield. It's because of our way of thinking and minding our own business. If one of your Londoners were set down on the green of a Saturday night when the ghosts of the lads who died in the war keep tryst with the lasses who lie in the churchyard, he couldn't help being curious and interfering, and then the ghosts would go somewhere where it was quieter. But we just let them come and go and don't make any fuss, and in consequence Fairfield is the ghostliest place in all England. Why, I've seen a headless man sitting on the edge of the well in broad daylight, and the children playing about his feet as if he were their father. Take my word for it, spirits know when they are well off as much as human beings.

Tales of Mystery and Imagination