Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

Las imágenes han sido obtenidas de la red y son de dominio público. No obstante, si alguien tiene derecho reservado sobre alguna de ellas y se siente perjudicado por su publicación, por favor, no dude en comunicárnoslo.

Showing posts with label Peter Tremayne. Show all posts
Showing posts with label Peter Tremayne. Show all posts

Peter Tremayne: Dracula's Chair




Maybe this is an hallucination. Perhaps I am mad. How else can this be explained?

I sit here alone and helpless! So utterly alone! Alone in an age which is not mine, in a body which is not mine. Oh God! I am slowly being killed—or worse! Yet what is worse than death? That terrifying limbo that is the borderland of Hell, that state that is neither the restful sleep of death nor the perplexities of life but is the nightmare of undeath.

He is draining me of life and yet, yet is it me who is the victim? How can I tell him that the person he thinks I am, the person whose body my mind inhabits, is no longer in that body? How can I tell him that / am in the body of his victim? I… a. person from another time, another age, another place!

God help me! He is draining me of life and I cannot prevent him!

When did this nightmare begin? An age away. I suppose it began when my wife and I saw the chair.

Peter Tremayne: The Banshee




For three days the Banshee had been heard wailing outside his door at night. It was no surprise when his body was discovered. His time had come.

Sister Fidelma gazed at Brother Abán with surprise.

The elderly monk was sitting slightly forward on his chair, shivering a little although the day was not cold. His thin mouth trembled slightly; a fleck of spittle from one corner caught on the greying stubble of his unshaven chin. His pale eyes stood out in a bony, almost skeletal head over which the skin was stretched taut and parchment-like.

‘He was fated to die,’ repeated the old man, almost petulantly. ‘You cannot deny the summons of the death wail.’

Fidelma realised that the old man was troubled and he spoke with deadly seriousness. ‘Who heard this wailing?’ she asked, trying to hide her natural scepticism.

The old man shivered. ‘Glass, the miller, whose house is not far away. And Bláth has confirmed that she was disturbed by the sounds.’

Fidelma pursed her lips and expelled a little air through them in an almost soundless whistle. ‘I will speak with them later. Tell me what you know about this matter, Brother Abán. Just those facts that are known to you.’

The early religieux sighed as if suppressing irritation. ‘I thought that you knew them. Surely my message was clear?’

Peter Tremayne: Marbh Bheo



It was dark when I reached the old cottage. The journey had been far from easy. I suppose a city-bred person such as myself would find most rural journeys difficult. I had certainly assumed too much. As the crow flies, I had been told that the cottage was only some twenty-one miles from the centre of Cork City. But in Ireland the miles are deceptive. I know there is a standard joke about "the Irish mile" but there is a grain of truth in it. For the Boggeragh Mountains, in whose shadows the cottage lay, are a brooding, windswept area where nothing grows but bleak heather, a dirty stubble which clings tenaciously to the grey granite thrusts of the hills, where the wind whistles and sings over a moonscape of rocks pricking upwards to the heavens. To walk a mile in such terrain, among the heights and terrible grandeur of the wild, rocky slopes and gorse you have to allow two hours. A mile on a well-kept road is not like a mile on a forgotten track amidst these sullen peaks.
What was I doing in such an inhospitable area in the first place? That is the question which you will undoubtedly ask.
Well, it was not through any desire on my part. But one must live and my livelihood depended on my job with RTE. I am a researcher with Telefis Eireann, the Irish state television. Initially it was the idea of some bright producer that we make a programme on Irish folk customs. So that was the initial impetus which found me searching among dusty tomes in an old occult bookstore, in a little alley off Sheares Street on the nameless island in the River Lee which constitutes the centre of the city of Cork. The area is often mentioned in the literature of Cork as the place where once the fashionable world came to see and be seen. That era of glory has departed and now small artisans' houses and shops crowd upon it claustrophobically.

Tales of Mystery and Imagination