Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

Las imágenes han sido obtenidas de la red y son de dominio público. No obstante, si alguien tiene derecho reservado sobre alguna de ellas y se siente perjudicado por su publicación, por favor, no dude en comunicárnoslo.

Showing posts with label Charlotte Perkins Gilman. Show all posts
Showing posts with label Charlotte Perkins Gilman. Show all posts

Charlotte Perkins Gilman: Turned

Charlotte Perkins Gilman




In her soft-carpeted, thick-curtained, richly furnished chamber, Mrs Marroner lay sobbing on the wide, soft bed.

She sobbed bitterly, chokingly, despairingly; her shoulders heaved and shook convulsively; her hands were tight-clenched. She had forgotten her elaborate dress, the more elaborate bedcover; forgotten her dignity, her self-control, her pride. In her mind was an overwhelming, unbelievable horror, an immeasurable loss, a turbulent, struggling mass of emotion.

In her reserved, superior, Boston-bred life, she had never dreamed that it would be possible for her to feel so many things at once, and with such trampling intensity.

She tried to cool her feelings into thoughts; to stiffen them into words; to control herself — and could not. It brought vaguely to her mind an awful moment in the breakers at York Beach, one summer in girlhood when she had been swimming under water and could not find the top.

In her uncarpeted, thin-curtained, poorly furnished chamber on the top floor, Gerta Petersen lay sobbing on the narrow, hard bed.

She was of larger frame than her mistress, grandly built and strong; but all her proud young womanhood was prostrate now, convulsed with agony, dissolved in tears. She did not try to control herself. She wept for two.

If Mrs Marroner suffered more from the wreck and ruin of a longer love — perhaps a deeper one; if her tastes were finer, her ideals loftier; if she bore the pangs of bitter jealousy and outraged pride, Gerta had personal shame to meet, a hopeless future, and a looming present which filled her with unreasoning terror.

She had come like a meek young goddess into that perfectly ordered house, strong, beautiful, full of goodwill and eager obedience, but ignorant and childish — a girl of eighteen.

Mr Marroner had frankly admired her, and so had his wife. They discussed her visible perfections and as visible limitations with that perfect confidence which they had so long enjoyed. Mrs Marroner was not a jealous woman. She had never been jealous in her life — till now.

Gerta had stayed and learned their ways. They had both been fond of her. Even the cook was fond of her. She was what is called 'willing', was unusually teachable and plastic; and Mrs Marroner, with her early habits of giving instruction, tried to educate her somewhat.

"I never saw anyone so docile," Mrs Marroner had often commented. "It is perfection in a servant, but almost a defect in character. She is so helpless and confiding."

She was precisely that: a tall, rosy-cheeked baby; rich womanhood without, helpless infancy within. Her braided wealth of dead gold hair, her grave blue eyes, her mighty shoulders and long, firmly moulded limbs seemed those of a primal earth spirit; but she was only an ignorant child, with a child's weakness.

When Mr Marroner had to go abroad for his firm, unwillingly, hating to leave his wife, he had told her he felt quite safe to leave her in Gerta's hands — she would take care of her.

Charlotte Perkins Gilman:The Yellow Wallpaper

Charlotte Perkins Gilman


It is very seldom that mere ordinary people like John and myself secure ancestral halls for the summer.
A colonial mansion, a hereditary estate, I would say a haunted house, and reach the height of romantic felicity--but that would be asking too much of fate!
Still I will proudly declare that there is something queer about it.
Else, why should it be let so cheaply? And why have stood so long untenanted?
John laughs at me, of course, but one expects that in marriage.
John is practical in the extreme. He has no patience with faith, an intense horror of superstition, and he scoffs openly at any talk of things not to be felt and seen and put down in figures.
John is a physician, and perhaps--(I would not say it to a living soul, of course, but this is dead paper and a great relief to my mind)--perhaps that is one reason I do not get well faster.
You see he does not believe I am sick!
And what can one do?
If a physician of high standing, and one's own husband, assures friends and relatives that there is really nothing the matter with one but temporary nervous depression--a slight hysterical tendency-- what is one to do?
My brother is also a physician, and also of high standing, and he says the same thing.
So I take phosphates or phosphites--whichever it is, and tonics, and journeys, and air, and exercise, and am absolutely forbidden to "work" until I am well again.
Personally, I disagree with their ideas.
Personally, I believe that congenial work, with excitement and change, would do me good.
But what is one to do?
I did write for a while in spite of them; but it does exhaust me a good deal--having to be so sly about it, or else meet with heavy opposition.
I sometimes fancy that in my condition if I had less opposition and more society and stimulus--but John says the very worst thing I can do is to think about my condition, and I confess it always makes me feel bad.
So I will let it alone and talk about the house.

Tales of Mystery and Imagination