Tales of Mystery and Imagination

Tales of Mystery and Imagination

" Tales of Mystery and Imagination es un blog sin ánimo de lucro cuyo único fin consiste en rendir justo homenaje a los escritores de terror, ciencia-ficción y fantasía del mundo. Los derechos de los textos que aquí aparecen pertenecen a cada autor.

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Showing posts with label Robert R. McCammon. Show all posts
Showing posts with label Robert R. McCammon. Show all posts

Robert R. McCammon: The Deep End



Summer was dying. The late afternoon sky wept rain from low, hovering clouds, and Glenn Calder sat in his Chevy station wagon, staring at the swimming pool where his son had drowned two weeks ago.

Neil was just sixteen years old, Glenn thought. His lips were tight and gray, and the last of his summer tan had faded from his gaunt, hollowed face. Just sixteen. His hands tightened around the steering-wheel, the knuckles bleaching white. It's not fair. My son is dead---and you're still alive. Oh, I know you're there. I've figured it all out. You think you're so damned smart. You think you've got everybody fooled. But not me. Oh no---not me.

He reached over the seat beside him and picked up his pack of Winstons, chose a cigarette and clamped the filter between his lips. Then he punched the cigarette lighter in and waited for it to heat up.

His eyes, pale blue behind a pair of horn-rimmed glasses, remained fixed on the Olympic-sized public swimming pool beyond the high chainlink fence. A sign on the admissions gate said in big, cheerful red letters: CLOSED FOR THE SEASON! SEE YOU NEXT SUMMER! Beyond the fence were bleachers and sundecks where people had lolled in the hot, sultry summer of north Alabama, and there was a bandstand where an occasional rock band had played at a pool party on a Saturday night. Steam rose from the glistening concrete around the pool and, in the silence between the patter of raindrops, with his windows rolled down and the moody smell of August's last hours inside the car, he thought he could hear ghostly music from that bandstand, there under the red canopy where he himself had danced as a kid in the late fifties

He imagined he could hear the shouts, squeals and rowdy laughter of the generations of kids that had come to this pool, here in wooded Parnell Park, since it had been dug out and filled with water back in the mid-forties. He cocked his head to one side, listening, and he felt sure that one of these ghostly voices belonged to Neil, and Neil was speaking like a ripple of water down a drain, calling "Dad? Dad? It killed me, Dad! I didn't drown! I was always a good swimmer, Dad! You know that, don't you...?"

Robert R. McCammon: Eat Me



A question gnawed, day and night, at Jim Crisp. He pondered it as he walked the streets, while a dark rain fell and rats chattered at his feet; he mulled over it as he sat in his apartment, staring at the static on the television screen hour after hour. The question haunted him as he sat in the cemetery on Fourteenth Street, surrounded by empty graves. And this burning question was: when did love die?

Thinking took effort. It made his brain hurt, but it seemed to Jim that thinking was his last link with life. He used to be an accountant, a long time ago. He'd worked with a firm downtown for over twenty years, had never been married, hadn't dated much either. Numbers, logic, the rituals of mathematics had been the center of his life; now logic itself had gone insane, and no one kept records anymore. He had a terrible sensation of not belonging in this world, of being suspended in a nightmare that would stretch to the boundaries of eternity. He had no need for sleep any longer; something inside him had burst a while back, and he'd lost the ten or twelve pounds of fat that had gathered around his middle over the years. His body was lean now, so light sometimes a strong wind knocked him off his feet. The smell came and went, but Jim had a caseload of English Leather in his apartment and he took baths in the stuff.

The open maw of time frightened him. Days without number lay ahead. What was there to do, when there was nothing to be done? No one called the roll, no one punched the time-clock, no one set the deadlines. This warped freedom gave a sense of power to others; to Jim it was the most confining of prisons, because all the symbols of order---stoplights, calendars, clocks---were still there, still working, yet they had no purpose or sense, and they reminded him too much of what had been before.

Tales of Mystery and Imagination