Tales of Mystery and Imagination

Rudyard Kipling: At the end of the passage

The sky is lead and our faces are red,
And the gates of Hell are opened and riven,
And the winds of Hell are loosened and driven, And the dust flies up in the face of Heaven,
And the clouds come down in a fiery sheet,
Heavy to raise and hard to be borne.
And the soul of man is turned from his meat,
Turned from the trifles for which he has striven
Sick in his body, and heavy hearted,
And his soul flies up like the dust in the sheet
Breaks from his flesh and is gone and departed,
As the blasts they blow on the cholera-horn.
Himalayan

Four men, each entitled to ‘life, liberty, and the pursuit of happiness’, sat at a table playing whist. The thermometer marked – for them – one hundred and one degrees of heat. The room was darkened till it was only just possible to distinguish the pips of the cards and the very white faces of the players. A tattered, rotten punkah of whitewashed calico was puddling the hot air and whining dolefully at each stroke. Outside lay gloom of a November day in London. There was neither sky, sun, nor horizon – nothing but a brown purple haze of heat. It was as though the earth were dying of apoplexy.

From time to time clouds of tawny dust rose from the ground without wind or warning, flung themselves tablecloth-wise among the tops of the parched trees, and came down again. Then a-whirling dust-devil would scutter across the plain for a couple of miles, break, and fall outward, though there was nothing to check its flight save a long low line of piled railway-sleepers white with the dust, a cluster of huts made of mud, condemned rails, and canvas, and the one squat four-roomed bungalow that belonged to the assistant engineer in charge of a section of the Gaudhari State line then under construction.

.A mulher tirou as mãos de sob o avental e perguntou numa voz despida de qualquer inflexão amável:

......Que Deseja? - Depois, atentando melhor na figura miserável do interlocutor, acrescentou, asperamente elucidativa: - A entrada não é por aqui, é pela escada de serviço…….

......Mas o homem não despegava. Tinha uma teimosia humilde e inabalável:

......- Quero falar ao senhor….Ele é que me mandou chamar…

......- A si? - Havia uma ironia maldosa na interrogação. - Ah, ele manda chamar muita gente e depois não a recebe….Às vezes é uma romaria….

.....Calou-se um instante e fixou o homem.

.....Nos olhos dele havia uma doçura atenta e compassiva. Parecia-lhe que aquele homem, com o fato remendado, o cabelo rapado, as alpercatas rotas, a tiritar de frio, o ar clássico de vagabundo das estradas, estava com pena dela. Sentiu-se chocada e, ao mesmo tempo, intimidada. A sua vaidade agressiva de porteira de casa rica, diluíra-se. Pensou que era absurdo, que era o contrário do que devia ser, mas aquele homem estava com pena dela. Teve um sobressalto de vergonha e inquiriu quase humilde:

.....- É por causa de algum anúncio, não é?

.....- Sim, um anúncio a chamar por mim…Não o li, que não sei ler, nem escrever.

Auguste Villiers de L'Isle-Adam by Carolus Duran

À Monsieur Henri de Bornier.

« Dardant on ne sait où leurs globes ténébreux. »
C. Baudelaire.

Par une grise matinée de novembre, je descendais les quais d’un pas hâtif. Une bruine froide mouillait l’atmosphère. Des passants noirs, obombrés de parapluies difformes, s’entrecroisaient.

La Seine jaunie charriait ses bateaux marchands pareils à des hannetons démesurés. Sur les ponts, le vent cinglait brusquement des chapeaux, que leurs possesseurs disputaient à l’espace avec ces attitudes et ces contorsions dont le spectacle est toujours si pénible pour l’artiste.

Mes idées étaient pâles et brumeuses ; la préoccupation d’un rendez-vous d’affaires, accepté, depuis la veille, me harcelait l’imagination. L’heure me pressait : je résolus de m’abriter sous l’auvent d’un portail d’où il me serait plus commode de faire signe à quelque fiacre.

À l’instant même, j’aperçus, tout justement à côté de moi, l’entrée d’un bâtiment carré, d’aspect bourgeois.

Il s’était dressé dans la brume comme une apparition de pierre, et, malgré la rigidité de son architecture, malgré la buée morne et fantastique dont il était enveloppé, je lui reconnus, tout de suite, un certain air d’hospitalité cordiale qui me rasséréna l’esprit.

Ritter Ubaldo war an einem heiteren Herbstabend auf der Jagd weit von den Seinigen abgekommen und ritt eben zwischen einsamen Waldbergen hin, als er von dem einen derselben einen Mann in seltsamer, bunter Kleidung herabsteigen sah. Der Fremde bemerkte ihn nicht, bis er dicht vor ihm stand. Ubaldo sah nun mit Verwunderung, daß derselbe einen sehr zierlichen und prächtig geschmückten Wams trug, der aber durch die Zeit altmodisch und unscheinlich geworden war. Sein Gesicht war schön, aber bleich und wild mit Bart verwachsen.

Beide begrüßten einander erstaunt, und Ubaldo erzählte, daß er so unglücklich gewesen, sich hier zu verirren. Die Sonne war schon hinter den Bergen versunken, dieser Ort weit entfernt von allen Wohnungen der Menschen. Der Unbekannte trug daher dem Ritter an, heute bei ihm zu übernachten; morgen mit dem frühesten wolle er im den einzigen Pfad weisen, der aus diesen Bergen herausführe. Ubaldo willigte gern ein und folgte nun seinem Führer durch die öden Waldesschluften.

Sie kamen bald an einen hohen Fels, in dessen Fuß eine geräumige Höhle ausgehauen war. Ein großer Stein lag in der Mitte derselben, auf dem Stein stand ein hölzernes Kruzifix. Ein Lager von trockenem Laube füllte den Hintergrund der Klause. Ubaldo band sein Pferd am Eingange an, während sein Wirt stillschweigend Wein und Brot brachte. Sie setzten sich miteinander hin, und der Ritter, dem die Kleidung des Unbekannten für einen Einsiedler wenig passend schien, konnte sich nicht enthalten, ihn um seine früheren Schicksale zu befragen. – «Forsche nur nicht, wer ich bin», antwortete der Klausner streng, und sein Gesicht wurde dabei finster und unfreundlich. – Dagegen bemerkte Ubaldo, daß derselbe hoch aufhorchte und dann in ein tiefes Nachsinnen versank, als er selber nun anfing, mancher Fahrten und rühmlicher Taten zu erwähnen, die er in seiner Jugend bestanden. Ermüdet endlich streckte sich Ubaldo auf das ihm angebotene Laub hin und schlummerte bald ein, während sein Wirt sich am Eingang der Höhle niedersetzte.

HE was an artist--such things as happened to him happen sometimes to artists.

He was a German--such things as happened to him happen sometimes to Germans.

He was young, handsome, studious, enthusiastic, metaphysical, reckless, unbelieving, heartless.

And being young, handsome and eloquent, he was beloved.

He was an orphan, under the guardianship of his dead father's brother, his uncle Wilhelm, in whose house he had been brought up from a little child; and she who loved him was his cousin--his cousin Gertrude, whom he swore he loved in return.

Did he love her? Yes, when he first swore it. It soon wore out, this passionate love; how threadbare and wretched a sentiment it became at last in the selfish heart of the student! But in its golden dawn, when he was only nineteen, and had just returned from his apprenticeship to a great painter at Antwerp, and they wandered together in the most romantic outskirts of the city at rosy sunset, by holy moonlight, or bright and joyous morning, how beautiful a dream!

They keep it a secret from Wilhelm, as he has the father's ambition of a wealthy suitor for his only child--a cold and dreary vision beside the lover's dream.

So they are betrothed; and standing side by side when the dying sun and the pale rising moon divide the heavens, he puts the betrothal ring upon her finger, the white and taper finger whose slender shape he knows so well. This ring is a peculiar one, a massive golden serpent, its tail in its mouth, the symbol of eternity; it had been his mother's, and he would know it amongst a thousand. If he were to become blind tomorrow, he could select it from amongst a thousand by the touch alone.

The lock was quite crowded with boats when we capsized. I went down backwards for some few feet before I started to swim, then I came spluttering upwards towards the light; but, instead of reaching the surface, I hit my head against the keel of a boat and went down again. I struck out almost at once and came up, but before I reached the surface my head crashed against a boat for the second time, and I went right to the bottom. I was confused and thoroughly frightened. I was desperately in need of air, and knew that if I hit a boat for the third time I should never see the surface again. Drowning is a horrible death, notwithstanding all that has been said to the contrary. My past life never occurred to my mind, but I thought of many trivial things that I might not do or see again if I were drowned. I swam up in a slanting direction, hoping to avoid the boat that I had struck. Suddenly I saw all the boats in the lock quite clearly just above me, and every one of their curved varnished planks and the scratches and chips upon their keels. I saw several gaps among the boats where I might have swam up to the surface, but it did not seem worthwhile to try and get there, and I had forgotten why I wanted to. Then all the people leaned over the sides of their boats: I saw the light flannel suits of the men and the coloured flowers in the women's hats, and I noticed details of their dresses quite distinctly. Everybody in the boats was looking down at me; then they all said to one another, 'We must leave him now,' and they and the boats went away; and there was nothing above me but the river and the sky, and on either side of me were the green weeds that grew in the mud, for I had somehow sunk back to the bottom again. The river as it flowed by murmured not unpleasantly in my ears, and the rushes seemed to be whispering quite softly among themselves. Presently the murmuring of the river took the form of words, and I heard it say, 'We must go on to the sea; we must leave him now.'

Croyoit que nues feussent paelles d’arin, et que vessies feussent lanternes.
Gargantua, liv. I, ch. xi.

— Kling, kling, kling ! — Pas de réponse. — Est-ce qu’il n’y serait pas ? dit la jeune fille.

Elle tira une seconde fois le cordon de la sonnette ; aucun bruit ne se fit entendre dans l’appartement : il n’y avait personne.

— C’est étrange !

Elle se mordit la lèvre, une rougeur de dépit passa de sa joue à son front ; elle se mit à descendre les escaliers un à un, bien lentement, comme à regret, retournant la tête pour voir si la porte fatale s’ouvrait. — Rien.

Au détour de la rue, elle aperçut de loin Onuphrius, qui marchait du côté du soleil, avec l’air le plus inoccupé du monde, s’arrêtant à chaque carreau, regardant les chiens se battre et les polissons jouer au palet, lisant les inscriptions de la muraille, épelant les enseignes, comme un homme qui a une heure devant lui et n’a aucun besoin de se presser.

Quand il fut auprès d’elle, l’ébahissement lui fit écarquiller les prunelles : il ne comptait guère la trouver là.

— Quoi c’est vous, déjà ! — Quelle heure est-il donc ?

— Déjà ! le mot est galant. Quant à l’heure, vous devriez la savoir, et ce n’est guère à moi à vous l’apprendre, répondit d’un ton boudeur la jeune fille, tout en prenant son bras ; il est onze heures et demie.

— Impossible, fit Onuphrius. Je viens de passer devant Saint-Paul, il n’était que dix heures ; il n’y a pas cinq minutes j’en mettrais la main au feu ; je parie.

— Ne mettez rien du tout et ne pariez pas, vous perdriez.

Onuphrius s’entêta ; comme l’Église n’était qu’à une cinquantaine de pas, Jacintha, pour le convaincre, voulut bien aller jusque-là avec lui. Onuphrius était triomphant. Quand ils furent devant le portail : — Eh bien ! lui dit Jacintha.

On eût mis le soleil ou la lune en place du cadran qu’il n’eût pas été plus stupéfait. Il était onze heures et demie passées ; il tira son lorgnon, en essuya le verre avec son mouchoir, se frotta, les yeux pour s’éclaircir la vue ; l’aiguille aînée allait rejoindre sa petite sœur sur l’X de midi.

— Midi ! murmura-t-il entre ses dents ; il faut que quelque diablotin se soit amusé à pousser ces aiguilles ; c’est bien dix heures que j’ai vu !

»Nun?« fragen die Herren wie aus einem Munde, als Professor Goclenius rascher, als es sonst seine Gewohnheit war, und mit auffallend verstörtem Gesicht eintrat, »nun, hat man Ihnen die Briefe ausgefolgt? – Ist Johannes Skoper schon unterwegs nach Europa? – Wie geht es ihm? Sind Sammlungen mit angekommen?« – riefen alle durcheinander.

»Nur das hier«, sagte der Professor ernst und legte ein Bündel Schriften und ein Fläschchen, in dem sich ein totes, weißliches Insekt in der Größe eines Hirschkäfers befand, auf den Tisch, »der chinesische Gesandte hat es mir selbst mit dem Bemerken übergeben, es sei heute auf dem Umweg über Dänemark angekommen.«

»Ich fürchte, er hat schlimme Nachrichten über unsern Kollegen Skoper erfahren«, flüsterte ein bartloser Herr hinter der Hand seinem Tischnachbar zu, einem greisenhaften Gelehrten mit wallender Löwenmähne, der – wie er selbst, Präparator am naturwissenschaftlichen Museum – die Brille auf die Stirn geschoben hatte und mit tiefstem Interesse das Insekt in der Flasche betrachtete.

Es war ein seltsames Zimmer, in dem die Herren – sechs an der Zahl und sämtlich Forscher auf dem Gebiet der Schmetterlings- und Käferkunde – saßen.

Y salían en ciertas épocas a cazar enemigos;
le llamaban la guerra florida.

A mitad del largo zaguán del hotel pensó que debía ser tarde y se apuró a salir a la calle y sacar la motocicleta del rincón donde el portero de al lado le permitía guardarla. En la joyería de la esquina vio que eran las nueve menos diez; llegaría con tiempo sobrado adonde iba. El sol se filtraba entre los altos edificios del centro, y él -porque para sí mismo, para ir pensando, no tenía nombre- montó en la máquina saboreando el paseo. La moto ronroneaba entre sus piernas, y un viento fresco le chicoteaba los pantalones.

Dejó pasar los ministerios (el rosa, el blanco) y la serie de comercios con brillantes vitrinas de la calle Central. Ahora entraba en la parte más agradable del trayecto, el verdadero paseo: una calle larga, bordeada de árboles, con poco tráfico y amplias villas que dejaban venir los jardines hasta las aceras, apenas demarcadas por setos bajos. Quizá algo distraído, pero corriendo por la derecha como correspondía, se dejó llevar por la tersura, por la leve crispación de ese día apenas empezado. Tal vez su involuntario relajamiento le impidió prevenir el accidente. Cuando vio que la mujer parada en la esquina se lanzaba a la calzada a pesar de las luces verdes, ya era tarde para las soluciones fáciles. Frenó con el pie y con la mano, desviándose a la izquierda; oyó el grito de la mujer, y junto con el choque perdió la visión. Fue como dormirse de golpe.

It was the end. Subienkow had travelled a long trail of bitterness and horror, homing like a dove for the capitals of Europe, and here, farther away than ever, in Russian America, the trail ceased. He sat in the snow, arms tied behind him, waiting the torture. He stared curiously before him at a huge Cossack, prone in the snow, moaning in his pain. The men had finished handling the giant and turned him over to the women. That they exceeded the fiendishness of the men, the man’s cries attested.

Subienkow looked on, and shuddered. He was not afraid to die. He had carried his life too long in his hands, on that weary trail from Warsaw to Nulato, to shudder at mere dying. But he objected to the torture. It offended his soul. And this offence, in turn, was not due to the mere pain he must endure, but to the sorry spectacle the pain would make of him. He knew that he would pray, and beg, and entreat, even as Big Ivan and the others that had gone before. This would not be nice. To pass out bravely and cleanly, with a smile and a jest—ah! that would have been the way. But to lose control, to have his soul upset by the pangs of the flesh, to screech and gibber like an ape, to become the veriest beast—ah, that was what was so terrible.

There had been no chance to escape. From the beginning, when he dreamed the fiery dream of Poland’s independence, he had become a puppet in the hands of Fate. From the beginning, at Warsaw, at St. Petersburg, in the Siberian mines, in Kamtchatka, on the crazy boats of the fur-thieves, Fate had been driving him to this end. Without doubt, in the foundations of the world was graved this end for him—for him, who was so fine and sensitive, whose nerves scarcely sheltered under his skin, who was a dreamer, and a poet, and an artist. Before he was dreamed of, it had been determined that the quivering bundle of sensitiveness that constituted him should be doomed to live in raw and howling savagery, and to die in this far land of night, in this dark place beyond the last boundaries of the world.

Esgalhada e seca, os seus frutos eram cadáveres ou corvos. Ninguém se lembrava que tivesse dado folhas nem flor, a árvore enorme que havia séculos servia de forca: ninguém se deitava à sua sombra, e até o sol fugia da árvore estarrecida e hirta que havia séculos servia de forca.

Em frente ficava o Palácio real, construído num bloco de pedra escura, e só o Rei, de alma igual à sua alma, nua e trágica, se pusera a amá-la, a árvore triste que havia séculos servia de forca.

Que doença estranha, lenta mas tenaz, matava o Rei?... Só amava os crepúsculos, as agonias da luz, o passado, ea multidão silenciosa vinha vê-lo, ao fim da tarde, de cabeça encostada aos vidros das janelas, fixo o olhar nas águas verdes e limosas e no espectro da árvore levantada diante do Palácio. Tudo que era vivo fugira de ao pé dele, porque o Rei mandava punir a mocidade eo amor, e dez léguas à roda o país tinha sido assolado pelos seus guerreiros brutais. Mandara queimar tudo, devastar tudo no seu reino. Nem uma folha nem uma ave – nem um sinal de vida. De pé unicamente a árvore, desde séculos estarrecida e hirta, a árvore maldita que no seu reino servia de forca.

No silêncio tumular do Palácio os passos do Rei ecoavam pelos corredores desertos, lentos ou precipitados, conforme o pensamento tenaz que o devorava, gastando pouco a pouco as lages duras do chão. Não podia amar. Nem a voluptuosidade, nem o ideal, nem o amor, nem a carne láctea das mulheres: tudo lhe era vedado. Horas atrás de horas se ouviam no Palácio os passos do Rei doente, toda a noite, toda a noite a rondar ...

Narciso se sentía diferente de sí mismo. Cuando salía de su casa, caminaba siempre dos pasos por delante de él. Sólo se detenía para esperarse cuando llegaba al café en el que desayunaba cada mañana. Allí, se abría la puerta solícito, fingiendo una falsa educación, para cerrársela inmediatamente en las narices cuando estaba a punto de cruzarla. Otro de sus juegos preferidos, por ejemplo, era desafiarse a ver quién leía más rápido, pasando velozmente la página e impidiéndose leer cómodamente.

Comer, dormir, follar… era siempre una competición.

El día en que murió, sentado frente al ataúd donde reposaba, no pudo reprimir una sonrisa de venganza.

Alfonso Álvarez Villar: Helas

Thompson miraba con satisfacción el estado de las excavaciones arqueológicas en aquel rincón de Creta. Ya habían aparecido, bajo los picos y los azadones, los primeros vestigios de un palacio que parecía datar del Minoico reciente. Habían pasado tres meses desde que el avión le trasladara de la brumosa Cambridge a aquel país soleado.

Era todavía un hombre joven. El ser uno de los mejores especialistas en historia egea, el que en las revistas y en los programas de televisión se le llamase con orgullo el sucesor de Sir Arthur Evans, no le privaba de ser uno de los mejores jugadores de golf, en un país en que el golf es uno de los hobbies más extendidos. Sólo las entradas en el cuero cabelludo y algunas arrugas sobre su rostro macizo de anglosajón delataban el paso de los años.

Thompson había sido llamado por la Dirección Nacional de Arqueología del Gobierno de Atenas, algunos días después que un muchacho de los alrededores de Heraklion hubiese aparecido en una tienda de antigüedades intentando vender un magnífico jarrón, en el que sobre un fondo negro, como de profundidades marinas, agitaban sus tentáculos varios pulpos de líneas estilizadas. La noticia de aquel hallazgo se había divulgado rápidamente, pero las autoridades griegas se habían anticipado a la nube de depredadores que se disponían a enriquecerse a costa de los turistas.

A diciannove anni, Marta si affacciò dalla sommità del grattacielo e, vedendo di sotto la città risplenderenella sera, fu presa dalle vertigini. Il grattacielo era d’argento, supremo e felice in quella sera bellissima e pura, mentre il vento stirava sottilifilamenti di nubi, qua e là, sullo sfondo di un azzurro assolutamente incredibile. Era infatti l’ ora che le città vengono prese dall’ispirazione e chi non è cieco ne resta travolto.

Dall’ aereo culmine la ragazza vedeva le strade e le masse dei palazzi contorcersi nel lungo spasimo del tramonto e là dove il bianco delle case finiva,cominciava il blu del mare che visto dall’ alto sembrava in salita. E siccome dall’ oriente avanzavano i velari della notte, la città divenne un dolce abisso brulicante di luci; che palpitava. C’erano dentro gli uominipotenti e le donne ancora di più, le pellicce e i violini, le macchine smaltate d’onice, le insegne fosforescentidei tabarins, gli androni delle spente regge, le fontane, i diamanti, gli antichi giardini taciturni, le feste, idesideri, gli amori e, sopra tutto, quello struggente incantesimo della sera per cui si fantastica di grandezza edi gloria.Queste cose vedendo, Marta si sporse perdutamente oltre la balaustra e si lasciò andare. Le parve di librarsi nell’aria, ma precipitava. Data la straordinaria altezza del grattacielo, le strade e le piazze laggiù in fondoerano estremamente lontane, chissà quanto tempo per arrivarci. Ma la ragazza precipitava.Le terrazze e i balconi degli ultimi piani erano popolati in quell’ora da gente elegante e ricca che prendeva cocktails e faceva sciocche conversazioni. Ne venivano fiotti sparsi e confusi di musiche. Marta vi passò dinanzi e parecchi si affacciarono a guardarla.Voli di quel genere - nella maggioranza appunto ragazze - non erano rari nel grattacielo e costituivano pergli inquilini un diversivo interessante; anche perciò il prezzo di quegli appartamenti era altissimo.Il sole, non ancora del tutto disceso, fece del suo meglio per illuminare il vestitino di Marta. Era un modestoabito primaverile comprato-fatto per pochi soldi. Ma la luce lirica del tramonto lo esaltava alquanto,rendendolo chic.Dai balconi dei miliardari, mani galanti si tendevano verso di lei, offrendo fiori e bicchieri. « Signorina, unpiccolo drink?... Gentile farfalla, perché non si ferma un minuto tra noi? »Lei rideva, svolazzando, felice (ma intanto precipitava): « No, grazie, amici. Non posso. Ho fretta d’arrivare.»« Di arrivare dove? » le chiedevano.« Ah, non fatemi parlare » rispondeva Marta e agitava le mani in atto di confidenziale saluto.